The Red Glutton: With the German Army at the FrontCobb, Irvin S. (Irvin Shrewsbury)
History
The Red Glutton: With the German Army at the Front
Cobb, Irvin S. (Irvin Shrewsbury)
World War, 1914-1918 -- Campaigns -- Western Front; World War, 1914-1918 -- Personal narratives
As for the Germans, checked as they had been in their rush on France
by a foe whom they had regarded as too puny to count as a factor in
the war, they sacrificed themselves by hundreds and thousands to win
breathing space behind standing walls until their great seventeen-inch
siege guns could be brought from Essen and mounted by the force of
engineers who came for that purpose direct from the Krupp works.
In that portion of the town lying west of the Meuse we counted perhaps
ten houses that were leveled flat and perhaps twenty that were now but
burnt-out, riddled hulls of houses, as empty and useless as so many
shucked pea-pods. Of the bridges spanning the river, the principal one,
a handsome four-span structure of stone ornamented with stone figures
of river gods, lay now in shattered fragments, choking the current,
where the Belgians themselves had blown it apart. One more bridge, or
perhaps two--I cannot be sure--were closed to traffic because dynamite
had made them unsafe; but the remaining bridges, of which I think there
were three, showed no signs of rough treatment. Opposite the great
University there was a big, black, ragged scar to show where a block of
dwellings had stood.
Liège, to judge from its surface aspect, could not well have been
quieter. Business went on; buyers and sellers filled the side streets
and dotted the long stone quays. Old Flemish men fished industriously
below the wrecked stone bridge, where the débris made new eddies in
the swift, narrow stream; and blue pigeons swarmed in the plaza before
the Palais de Justice, giving to the scene a suggestion of St. Mark's
Square at Venice.
The German _Landwehr_, who were everywhere about, treated the
inhabitants civilly enough, and the inhabitants showed no outward
resentment against the Germans. But beneath the lid a whole potful of
potential trouble was brewing, if one might believe what the Germans
told us. We talked with a young lieutenant of infantry who in more
peaceful times had been a staff cartoonist for a Berlin comic paper.
He received us beneath the portico of the Théâtre Royale, built after
the model of the Odéon in Paris. Two waspish rapid-fire guns stood just
within the shelter at the columns, with their black snouts pointing
this way and that to command the sweep of the three-cornered Place du
Théâtre. A company of soldiers was quartered in the theater itself. At
night, so the lieutenant said, those men who were off duty rummaged
the costumes out of the dressing rooms, put them on, and gave mock
plays, with music. An officer's horse occupied what I think must have
been the box office. It put its head out of a little window just over
our heads and nickered when other horses passed. Against the side of
the building were posters advertising a French company to play the
Gallicized version of an American farce--"Baby Mine"--by Margaret Mayo.
The borders of the posters were ornamented with prints of American
flags done in the proper colors.
Public-domain text, read in full here on John Shaqi.
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