France -- Fiction; French fiction -- Translations into English; Italy -- Fiction; Man-woman relationships -- Fiction
“Or, rather, for my nephew,” she said. “He is a captain in the
artillery, and his chiefs like him. His colonel was for a long time
under orders of Monsieur Le Menil’s uncle, General La Briche. If
Monsieur Le Menil would ask his uncle to write to Colonel Faure in favor
of my nephew I should be grateful to him. My nephew is not a stranger to
Monsieur Le Menil. They met last year at the masked ball which Captain
de Lassay gave at the hotel at Caen.”
Madame Marmet cast down her eyes and added:
“The invited guests, naturally, were not society women. But it is said
some of them were very pretty. They came from Paris. My nephew, who gave
these details to me, was dressed as a coachman. Monsieur Le Menil was
dressed as a Hussar of Death, and he had much success.”
Miss Bell said that she was sorry not to have known that M. Le Menil was
in Florence. Certainly, she should have invited him to come to Fiesole.
Dechartre remained sombre and distant during the rest of the dinner: and
when, at the moment of leaving, Therese extended her hand to him, she
felt that he avoided pressing it in his.
BOOK 3.
CHAPTER XXIII. “ONE IS NEVER KIND WHEN ONE IS IN LOVE”
The next day, in the hidden pavilion of the Via Alfieri, she found him
preoccupied. She tried to distract him with ardent gayety, with the
sweetness of pressing intimacy, with superb humility. But he remained
sombre. He had all night meditated, labored over, and recognized his
sadness. He had found reasons for suffering. His thought had brought
together the hand that dropped a letter in the post-box before the
bronze San Marco and the dreadful unknown who had been seen at the
station. Now Jacques Dechartre gave a face and a name to the cause of
his suffering. In the grandmother’s armchair where Therese had been
seated on the day of her welcome, and which she had this time offered to
him, he was assailed by painful images; while she, bent over one of
his arms, enveloped him with her warm embrace and her loving heart. She
divined too well what he was suffering to ask it of him simply.
In order to bring him back to pleasanter ideas, she recalled the secrets
of the room where they were and reminiscences of their walks through the
city. She was gracefully familiar.
“The little spoon you gave me, the little red lily spoon, I use for my
tea in the morning. And I know by the pleasure I feel at seeing it when
I wake how much I love you.”
Then, as he replied only in sentences sad and evasive, she said:
“I am near you, but you do not care for me. You are preoccupied by some
idea that I do not fathom. Yet I am alive, and an idea is nothing.”
“An idea is nothing? Do you think so? One may be wretched or happy for
an idea; one may live and one may die for an idea. Well, I am thinking.”
“Of what are you thinking?”
Public-domain text, read in full here on John Shaqi.
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