France -- Fiction; French fiction -- Translations into English; Italy -- Fiction; Man-woman relationships -- Fiction
When Therese approached the statue which he was pointing out to her, she
saw a post-box against the wall of the narrow street opposite the saint.
Dechartre, placed at the most convenient point of view, talked of his
St. Mark with abundant friendship.
“It is to him I make my first visit when I come to Florence. I failed to
do this only once. He will forgive me; he is an excellent man. He is
not appreciated by the crowd, and does not attract attention. I take
pleasure in his society, however. He is vivid. I understand that
Donatello, after giving a soul to him, exclaimed: ‘Mark, why do you not
speak?’”
Madame Marmet, tired of admiring St. Mark, and feeling on her face the
burning wind, dragged Miss Bell toward Calzaioli Street in search of a
veil.
Therese and Dechartre remained.
“I like him,” continued the sculptor; “I like Saint Mark because I
feel in him, much more than in the Saint George, the hand and mind of
Donatello, who was a good workman. I like him even more to-day, because
he recalls to me, in his venerable and touching candor, the old cobbler
to whom you were speaking so kindly this morning.”
“Ah,” she said, “I have forgotten his name. When we talk with Monsieur
Choulette we call him Quentin Matsys, because he resembles the old men
of that painter.”
As they were turning the corner of the church to see the facade, she
found herself before the post-box, which was so dusty and rusty that it
seemed as if the postman never came near it. She put her letter in it
under the ingenuous gaze of St. Mark.
Dechartre saw her, and felt as if a heavy blow had been struck at
his heart. He tried to speak, to smile; but the gloved hand which had
dropped the letter remained before his eyes. He recalled having seen in
the morning Therese’s letters on the hall tray. Why had she not put
that one with the others? The reason was not hard to guess. He remained
immovable, dreamy, and gazed without seeing. He tried to be reassured;
perhaps it was an insignificant letter which she was trying to hide from
the tiresome curiosity of Madame Marmet.
“Monsieur Dechartre, it is time to rejoin our friends at the
dressmaker’s.”
Perhaps it was a letter to Madame Schmoll, who was not a friend of
Madame Marmet, but immediately he realized that this idea was foolish.
All was clear. She had a lover. She was writing to him. Perhaps she was
saying to him: “I saw Dechartre to-day; the poor fellow is deeply in
love with me.” But whether she wrote that or something else, she had a
lover. He had not thought of that. To know that she belonged to another
made him suffer profoundly. And that hand, that little hand dropping the
letter, remained in his eyes and made them burn.
She did not know why he had become suddenly dumb and sombre. When she
saw him throw an anxious glance back at the post-box, she guessed the
reason. She thought it odd that he should be jealous without having the
right to be jealous; but this did not displease her.
Public-domain text, read in full here on John Shaqi.
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