The strains which now rose upon the night, and which spread themselves
soft and melodiously abroad upon the water, would in truth have done
credit to far more regular artists. The air was wild and melancholy and
perhaps it was the more in accordance with the present humour of the
man for whose ear it was created. Then, losing the former character the
whole power of the music was concentrated in softer and still gentler
sounds, as if the genius who had given birth to the melody had been
pouring out the feelings of his soul in pathos. The temper of the
Rover’s mind answered to the changing expression of the music; and,
when the strains were sweetest and most touching, he even bowed his
head like one who wept.
Though secretly under the influence of the harmony themselves, Mrs
Wyllys and her pupil could but gaze on the singularly constituted being
into whose hands their evil fortune had seen fit to cast them. The
former was filled with admiration at the fearful contrariety of those
passions which could reveal themselves, in the same individual, under
so very different and so dangerous forms; while the latter, judging
with the indulgence and sympathy of her years, was willing to believe
that a man whose emotions could be thus easily and kindly excited was
rather the victim of circumstances than the creator of his own luckless
fortune.
“There is Italy in those strains,” said the Rover, when the last chord
had died upon his ear; “sweet, indolent, luxurious, forgetful Italy! It
has never been your chance, Madam, to visit that land, so mighty in its
recollections, and so impotent in its actual condition?”
The governess made no reply; but, bowing her head, in turn, her
companions believed she was submitting also to the influence of the
music. At length, as though impelled by another changeful impulse, the
Rover advanced towards Gertrude, and, addressing her with a courtesy
that would have done credit to a very different scene, he said, in the
laboured language that characterised the politeness of the age,—
“One who in common speaks music should not have neglected the gifts of
nature. You sing?”
Had Gertrude possessed the power he affected to believe, her voice
would have denied its services at his call. Bending to his compliment,
she murmured her apologies in words that were barely audible. He
listened intently; but, without pressing a point that it was easy to
see was unwelcome, he turned away, gave the gong a light but startling
tap.
“Roderick,” he continued, when the gentle foot step of the lad was
heard upon the stairs that led into the cabin below, “do you sleep?”
The answer was slow and smothered; and, of course, in the negative.
“Apollo was not absent at the birth of Roderick, Madam. The lad can
raise such sounds as have been known to melt the stubborn feelings of a
seaman. Go, place yourself by the cabin door, good Roderick, and bid
the music run a low accompaniment to your words.”
Public-domain text, read in full here on John Shaqi.
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