Pizarro would now have liked to march directly upon the capital, but the
distance was great and his force was small. So after sending a message
to San Miguel for reinforcements, he set his men to work at rebuilding
the walls of Caxamalca, and fitting up a church, in which mass was
celebrated daily. Atahuallpa soon discovered that gold was what the
Spaniards chiefly coveted, and he determined to try and buy his freedom,
for he greatly feared that Huascar might win back his liberty and his
kingdom if the news once reached him of his brother's captivity. So he
one day promised Pizarro to fill with gold the room in which they stood,
not merely covering the floor, but piling it up to a line drawn round
the walls as high as he could reach, if he would in return set him free.
The general hardly knew how to answer. All he had seen confirmed the
rumours of the wealth of the country, and if it could be collected thus
by the Inca's order, he might really hope to secure it, whereas if he
trusted to being able to seize it for himself the chances were that most
of it would disappear for ever, hidden by the natives beyond recovery.
At all events he decided it would be safe to agree to Atahuallpa's
proposal; when the gold was collected it would be time enough to think
about setting the captive at liberty. The room to be filled was
seventeen feet broad by twenty-two feet long, and the line upon the wall
was drawn nine feet from the ground. A smaller room which adjoined it
the Inca offered to fill with silver twice over, and he demanded two
months' time to accomplish all this.
As soon as the arrangement was made, Atahuallpa sent couriers to Cuzco
and all the other chief places in the kingdom, with orders to strip the
royal palaces of their treasures and send them without delay to
Caxamalca. Meanwhile he lived in the Spanish quarters, treated with
consideration, and allowed to see his subjects freely, but at the same
time strictly guarded.
THE INCA'S RANSOM
[Illustration: The Spaniards destroy the idol at Pachacamac]
Public-domain text, read in full here on John Shaqi.
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