The Red Widow; or, The Death-Dealers of LondonLe Queux, William
General
The Red Widow; or, The Death-Dealers of London
Le Queux, William
Mystery fiction
"I—I do!" cried the voice from behind that strange disguise. "And I do
all that you tell me," it whined.
"Very well," laughed Boyne. "We’ll let it rest at that. The failure
you lately had put me right in the cart. We mustn’t have another.
Remember that! Let it sink into your brain. You are clever, I know.
But a single slip and both of us will go where we don’t want to!"
"I know! I know! Yes—yes," replied the huddled figure. "But it was
the weather—always the weather. And it is so hot under that roof."
"Weather be hanged!" replied Boyne. "This is winter—cold winter!—and
yet you believe it to be summer."
As a matter of fact, it was hot summer weather, yet Boyne was trying to
impress upon his companion that heat was cold, and vice versa.
The two weird figures in white cloaks, with only slits for the eyes,
like Brothers of the Misericordia of Mediæval Italy, only in white,
instead of black, sat opposite each other. Boyne was giving to his
prisoner a breath of air, and a change in his living room.
A few minutes later the strange occupant of the locked room uttered the
single word:
"Nibby?"
"Oh, yes, dear little Nibby is here," was Boyne’s reply.
Rising, he fumbled beneath his cloak, and with his key unlocked the
cupboard and opened the cage, from which the tame rat darted down and
across the room. A second later he was sniffing the cloak of the figure
from upstairs, running around the hem of the cloak with his little pink
nose, while the wearer of the cloak put down a hand to be smelt, saying:
"Nibby, my dear little Nibby, that I have lost so long!"
In all London no scene in broad daylight could have been more weird than
that at noon on a summer morning in Bridge Place, Hammersmith.
Boyne, the mystery man, held in such high esteem from Addison Road to
Kew, sat there with the poor crouching figure as his victim. Behind
those long narrow slits in the white fabric showed a pair of dark,
deep-sunken eyes—eyes that were inhuman and unnatural.
The voice from behind the mask was metallic and squeaky. Whether the
person was a man or a woman could not be conjectured. The high-pitched
note was feminine.
"Am I not good to you to allow you this little relaxation?" asked Boyne.
"You don’t often get it, I admit, for the old deaf crone is always
about, and I can seldom get rid of her."
"I—I felt—I felt very ill—last week. Days ago!" croaked the mysterious
occupant of the locked room.
"I go up to you every day. You never complained. You are usually asleep
when I come up."
"You come up at night. But all day I look out from the window over the
roofs towards the river."
"River! What do you mean? There is no river here. It is a desert—a
desert of bricks and mortar. You dream."
"Yes—yes. I dream! I—I’m always dreaming," was the response.
It was evident that Boyne held his half-imbecile prisoner completely in
his power, and that all the orders of the insurance agent were obeyed.
Public-domain text, read in full here on John Shaqi.
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