The Redskins; or, Indian and Injin, Volume 1.: Being the Conclusion of the Littlepage ManuscriptsCooper, James Fenimore
History
The Redskins; or, Indian and Injin, Volume 1.: Being the Conclusion of the Littlepage Manuscripts
Cooper, James Fenimore
Indians of North America -- Fiction; New York (State) -- History -- Colonial period, ca. 1600-1775 -- Fiction
"Ja, ja--das ist der anti-rent redskins. Haf you seen 'em, Trackless?"
"Sartain; come to see me--face in bag--behave like squaw; poor
Injin--poor warrior!"
"Yees, I believes dat ist true enough. I can't bear soch Injin!--might
not be soch Injin in world. Vhat you call 'em, eh?"
Susquesus shook his head slowly, and with dignity. Then he gazed
intently at my uncle; after which he fastened his eyes, in a similar
manner on me. In this manner his looks turned from one to the other for
some little time, when he again dropped them to the earth, calmly and in
silence. I took out the hurdy-gurdy, and began to play a lively air--one
that was very popular among the American blacks, and which, I am sorry
to say, is getting to be not less so among the whites. No visible effect
was produced on Susquesus, unless a slight shade of contempt was visible
on his dark features. With Jaaf, however, it was very different. Old as
he was, I could see a certain nervous twitching of the lower limbs,
which indicated that the old fellow actually felt some disposition to
dance. It soon passed away, though his grim, hard, wrinkled, dusky, grey
countenance continued to gleam with a sort of dull pleasure for some
time. There was nothing surprising in this, the indifference of the
Indian to melody being almost as marked as the negro's sensitiveness to
its power.
It was not to be expected that men so aged would be disposed to talk
much. The Onondago had ever been a silent man; dignity and gravity of
character uniting with prudence to render him so. But Jaaf was
constitutionally garrulous, though length of days had necessarily much
diminished the propensity. At that moment a fit of thoughtful and
melancholy silence came over my uncle, too, and all four of us continued
brooding on our own reflections for two or three minutes after I had
ceased to play. Presently the even, smooth approach of carriage-wheels
was heard, and a light, summer vehicle that was an old acquaintance,
came whirling round the stable, and drew up within ten feet of the spot
where we were all seated.
My heart was in my mouth, at this unexpected interruption, and I could
perceive that my uncle was scarcely less affected. Amid the flowing and
pretty drapery of summer shawls, and the other ornaments of the female
toilet, were four youthful and sunny faces, and one venerable with
years. In a word, my grandmother, my sister, and my uncle's two other
wards, and Mary Warren, were in the carriage; yes, the pretty, gentle,
timid, yet spirited and intelligent daughter of the rector was of the
party, and seemingly quite at home and at her ease, as one among
friends. She was the first to speak even, though it was in a low, quiet
voice, addressed to my sister, and in words that appeared extorted by
surprise.
"There are the very two pedlars of whom I told you, Martha," she said,
"and now you may hear the flute well played."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account