The Redskins; or, Indian and Injin, Volume 1.: Being the Conclusion of the Littlepage ManuscriptsCooper, James Fenimore
History
The Redskins; or, Indian and Injin, Volume 1.: Being the Conclusion of the Littlepage Manuscripts
Cooper, James Fenimore
Indians of North America -- Fiction; New York (State) -- History -- Colonial period, ca. 1600-1775 -- Fiction
It is hardly necessary to say that I bowed respectfully, laid down the
hurdy-gurdy, drew the flute from my pocket, and, after a few flourishes,
commenced playing one of the newest airs, or melodies, from a favourite
opera. I saw the colour rush into Martha's cheeks the moment I had got
through a bar or two, and the start she gave satisfied me that the dear
girl remembered her brother's flute. I had played on that very
instrument ever since I was sixteen, but I had made an immense progress
in the art during the five years just passed in Europe. Masters at
Naples, Paris, Vienna and London had done a great deal for me; and I
trust I shall not be thought vain if I add, that nature had done
something, too. My excellent grandmother listened in profound attention,
and all four of the girls were enchanted.
"That music is worthy of being heard in a room," observed the former, as
soon as I concluded the air; "and we shall hope to hear it this evening,
at the Nest House, if you remain anywhere near us. In the mean time, we
must pursue our airing."
As my grandmother spoke she leaned forward, and extended her hand to me,
with a benevolent smile. I advanced, received the dollar that was
offered, and, unable to command my feelings, raised the hand to my lips,
respectfully but with fervour. Had Martha's face been near me, it would
have suffered also. I suppose there was nothing in this respectful
salutation that struck the spectators as very much out of the way,
foreigners having foreign customs, but I saw a flush in my venerable
grandmother's cheek, as the carriage moved off. _She_ had noted the
warmth of the manner. My uncle had turned away, I dare say to conceal
the tears that started to his eyes, and Jaaf followed towards the door
of the hut, whither my uncle moved, in order to do the honours of the
place. This left me quite alone with the Indian.
"Why no kiss _face_ of grandmodder?" asked the Onondago, coolly and
quietly.
Had a clap of thunder broken over my head, I could not have been more
astonished! The disguise that had deceived my nearest relations--that
had baffled Seneca Newcome, and had set at naught even his sister
Opportunity--had failed to conceal me from that Indian, whose faculties
might be supposed to have been numbed with age!
"Is it possible that you know me, Susquesus!" I exclaimed, signing
towards the negro at the same time, by way of caution; "that you
remember me, at all! I should have thought this wig, these clothes,
would have concealed me."
"Sartain," answered the aged Indian, calmly. "Know young chief
soon as see him; know fader--know mudder; know gran'fader,
gran'mudder--great-gran'fader; _his_ fader, too; know all. Why
forget young chief?"
"Did you know me before I kissed my grandmother's hand, or only by that
act?"
"Know as soon as see him. What eyes good for, if don't know? Know uncle,
dere, sartain; welcome home!"
"But you will not let others know us, too, Trackless? We have always
been friends, I hope?"
Public-domain text, read in full here on John Shaqi.
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