The Redskins; or, Indian and Injin, Volume 1.: Being the Conclusion of the Littlepage ManuscriptsCooper, James Fenimore
History
The Redskins; or, Indian and Injin, Volume 1.: Being the Conclusion of the Littlepage Manuscripts
Cooper, James Fenimore
Indians of North America -- Fiction; New York (State) -- History -- Colonial period, ca. 1600-1775 -- Fiction
of right, precisely as if they had no existence at all, or as if a
freeman were above the law. He makes the law, and why should he not
break it? Here is another effect of the "spirit of the institutions."
At length the bell rang, and the crowd began to move towards the
"meetin'-us." This building was not that which had been originally
constructed, and at the raising of which, I have heard it said, my dear
old grandmother, then a lovely and spirited girl of nineteen, had been
conspicuous for her coolness and judgment, but a far more pretending
successor. The old building had been constructed on the true model of
the highest dissenting spirit--a spirit that induced its advocates to
quarrel with good taste as well as religious dogmas, in order to make
the chasm as wide as possible--while in this, some concessions had been
made to the temper of the times. I very well remember the old
"meetin'-us" at the "Little Nest," for it was pulled down to give place
to its more pretending successor after I had attained my sixteenth year.
A description of both may let the reader into the secret of our rural
church architecture.
The "old Neest meetin'-us," like its successor, was of a hemlock frame,
covered with pine clap-boards, and painted white. Of late years, the
paint had been of a most fleeting quality, the oil seeming to evaporate,
instead of striking in and setting, leaving the colouring matter in a
somewhat decomposed condition, to rub off by friction and wash away in
the rains. The house was a stiff, formal parallelogram, resembling a man
with high shoulders, appearing to be "stuck up." It had two rows of
formal, short and ungraceful windows, _that_ being a point in orthodoxy
at the period of its erection. It had a tower, uncouth, and in some
respects too large and others too small, if one can reconcile the
contradiction; but there are anomalies of this sort in art, as well as
in nature. On top of this tower stood a long-legged belfry, which had
got a very dangerous, though a very common, propensity in ecclesiastical
matters; in other words, it had begun to "cant." It was this diversion
from the perpendicular which had suggested the necessity of erecting a
new edifice, and the building in which the "lecture" on feudal tenures
and aristocracy was now to be delivered.
Public-domain text, read in full here on John Shaqi.
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