Americans -- France -- Fiction; Domestic fiction; France -- Fiction; Love stories; Man-woman relationships -- Fiction
With the urgency of her pleading her clasp tightened on Sophy’s hand,
but it warmed to no responsive tremor: the girl seemed numb, and Anna
was frightened by the stony silence of her look. “I suppose I’m not more
than half a woman,” she mused, “for I don’t want my happiness to
hurt her;” and aloud she repeated: “If only you’ll tell me there’s no
reason----”
The girl did not speak; but suddenly, like a snapped branch, she bent,
stooped down to the hand that clasped her, and laid her lips upon it in
a stream of weeping. She cried silently, continuously, abundantly, as
though Anna’s touch had released the waters of some deep spring of pain;
then, as Anna, moved and half afraid, leaned over her with a sound of
pity, she stood up and turned away.
“You’re going, then--for good--like this?” Anna moved toward her and
stopped. Sophy stopped too, with eyes that shrank from her.
“Oh----” Anna cried, and hid her face.
The girl walked across the room and paused again in the doorway. From
there she flung back: “I wanted it--I chose it. He was good to me--no
one ever was so good!”
The door-handle turned, and Anna heard her go.
XXIX
Her first thought was: “He’s going too in a few hours--I needn’t see him
again before he leaves...” At that moment the possibility of having to
look in Darrow’s face and hear him speak seemed to her more unendurable
than anything else she could imagine. Then, on the next wave of feeling,
came the desire to confront him at once and wring from him she knew
not what: avowal, denial, justification, anything that should open some
channel of escape to the flood of her pent-up anguish.
She had told Owen she was tired, and this seemed a sufficient reason for
remaining upstairs when the motor came to the door and Miss Painter and
Sophy Viner were borne off in it; sufficient also for sending word to
Madame de Chantelle that she would not come down till after luncheon.
Having despatched her maid with this message, she lay down on her sofa
and stared before her into darkness...
She had been unhappy before, and the vision of old miseries flocked
like hungry ghosts about her fresh pain: she recalled her youthful
disappointment, the failure of her marriage, the wasted years that
followed; but those were negative sorrows, denials and postponements of
life. She seemed in no way related to their shadowy victim, she who
was stretched on this fiery rack of the irreparable. She had suffered
before--yes, but lucidly, reflectively, elegiacally: now she was
suffering as a hurt animal must, blindly, furiously, with the single
fierce animal longing that the awful pain should stop...
She heard her maid knock, and she hid her face and made no answer. The
knocking continued, and the discipline of habit at length made her lift
her head, compose her face and hold out her hand to the note the woman
brought her. It was a word from Darrow--“May I see you?”--and she said
at once, in a voice that sounded thin and empty: “Ask Mr. Darrow to come
up.”
Public-domain text, read in full here on John Shaqi.
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