Americans -- France -- Fiction; Domestic fiction; France -- Fiction; Love stories; Man-woman relationships -- Fiction
She answered steadily: “He shall never know,” and after another interval
Darrow said: “This is good-bye, then.”
At the word she seemed to understand for the first time whither the
flying moments had been leading them. Resentment and indignation died
down, and all her consciousness resolved itself into the mere visual
sense that he was there before her, near enough for her to lift her
hand and touch him, and that in another instant the place where he stood
would be empty.
She felt a mortal weakness, a craven impulse to cry out to him to stay,
a longing to throw herself into his arms, and take refuge there from the
unendurable anguish he had caused her. Then the vision called up another
thought: “I shall never know what that girl has known...” and the recoil
of pride flung her back on the sharp edges of her anguish.
“Good-bye,” she said, in dread lest he should read her face; and she
stood motionless, her head high, while he walked to the door and went
out.
BOOK V
XXX
Anna Leath, three days later, sat in Miss Painter’s drawing-room in the
rue de Matignon.
Coming up precipitately that morning from the country, she had reached
Paris at one o’clock and Miss Painter’s landing some ten minutes later.
Miss Painter’s mouldy little man-servant, dissembling a napkin under his
arm, had mildly attempted to oppose her entrance; but Anna, insisting,
had gone straight to the dining-room and surprised her friend--who ate
as furtively as certain animals--over a strange meal of cold mutton and
lemonade. Ignoring the embarrassment she caused, she had set forth the
object of her journey, and Miss Painter, always hatted and booted for
action, had immediately hastened out, leaving her to the solitude of
the bare fireless drawing-room with its eternal slip-covers and “bowed”
shutters.
In this inhospitable obscurity Anna had sat alone for close upon two
hours. Both obscurity and solitude were acceptable to her, and impatient
as she was to hear the result of the errand on which she had despatched
her hostess, she desired still more to be alone. During her long
meditation in a white-swathed chair before the muffled hearth she had
been able for the first time to clear a way through the darkness and
confusion of her thoughts. The way did not go far, and her attempt to
trace it was as weak and spasmodic as a convalescent’s first efforts
to pick up the thread of living. She seemed to herself like some one
struggling to rise from a long sickness of which it would have been so
much easier to die. At Givre she had fallen into a kind of torpor, a
deadness of soul traversed by wild flashes of pain; but whether she
suffered or whether she was numb, she seemed equally remote from her
real living and doing self.
Public-domain text, read in full here on John Shaqi.
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