Adventure stories; City and town life -- Fiction; London (England) -- Fiction
"He shoved me out--just shoved me out of the room.... It was that that
made me turn to play-writing. Florance wrote his own plays sometimes,
but it was only his acting and his face that saved them. And they were
too American. He never did really well outside America except in one
play, and that wasn't his own. Now I was out after money. And I still
am. I wanted to please the largest possible public. So I guessed there
was nothing for it but the universal appeal. I never write a play that
won't appeal to England, Germany, France just as well as to America.
America's big, but it isn't big enough for me.... Well, as I was
saying, soon after that I got a one-act play produced at Hannibal,
Missouri. And the same week there was a company at another theatre
there playing the old man's 'Forty-Niners.' And the next morning the
theatrical critic's article in the Hannibal _Courier-Post_ was headed:
'Rival attractions. Archibald Florance's "Forty-Niners" and new play
by Seven Sachs.' I cut that heading out and sent it to the old man in
London, and I wrote under it, 'See how far I've got in six months.'
When he came back he took me into his company again.... What price
that, eh?"
Edward Henry could only nod his head. The customarily silent Seven
Sachs had little by little subdued him to an admiration as mute as it
was profound.
"Nearly five years after that I got a Christmas card from old
Florance. It had the usual printed wishes--'Merriest possible
Christmas and so on'--but, underneath that, Archibald had written in
pencil, 'You've still five years to go.' That made me roll my sleeves
up, as you may say. Well, a long time after that I was standing at the
corner of Broadway and Forty-fourth Street, and looking at my own name
in electric letters on the Criterion Theatre. First time I'd ever
seen it in electric letters on Broadway. It was the first night of
'Overheard.' Florance was playing at the Hudson Theatre, which is
a bit higher up Forty-fourth Street, and _his_ name was in electric
letters too, but further off Broadway than mine. I strolled up, just
out of idle curiosity, and there the old man was standing in the porch
of the theatre, all alone! 'Hullo, Sachs,' he said, 'I'm glad I've
seen you. It's saved me twenty-five cents.' I asked how. He said, 'I
was just going to send you a telegram of congratulations.' He liked
me, old Archibald did. He still does. But I hadn't done with him.
I went to stay with him at his house on Long Island in the spring.
'Excuse me, Mr. Florance,' I says to him. 'How many companies have
you got on the road?' He said, 'Oh! I haven't got many now. Five, I
think.' 'Well,' I says, 'I've got six here in the United States, two
in England, three in Austria, and one in Italy.' He said, 'Have a
cigar, Sachs; you've got the goods on me!' He was living in that
magnificent house all alone, with a whole regiment of servants!"
V
"Well," said Edward Henry, "you're a great man!"
Public-domain text, read in full here on John Shaqi.
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