Social problems; United States -- Social conditions -- 1865-1918
Good manners among the various kinds of public and semi-public servants
in England would not be considered good manners here. Without disputing
the point with those admirers of the English servant, we must insist
that it would be ridiculous for a self-respecting American citizen to
grovel and scrape and look and act “humble.” We want no servility here,
much as we would like to please those persons who constantly feel the
need of assurances from others that they are as grand folks as they
would like to think themselves.
Scraping and cringing, whether in a duke or in a domestic, are as bad
manners for a human being as are arrogance and impertinence.
The grotesque nature of the snob complaints against the manners of our
everyday people is striking when one recognizes a certain criticism
that can justly be made against us. It is among so-called well-bred
people, a certain brand of them, our snobs, that bad manners are most
prevalent. For out of them is left that on which alone good manners
can be built--the proud, erect, democratic spirit.
It is not difficult to have good manners in a graded social system. It
is extremely difficult to have good manners in a Democracy. Any one can
easily be a snob, a looker-up and a looker-down. But how very difficult
it is to be a simple, unaffected man or woman, considerate, courteous,
looking all other men and women straight in the eyes and saying: “You
are certainly as good as I am. I hope I am as good as you are.”
“I am your equal” is at the basis of democratic bad manners. “You are
my equal” is the basis of democratic good manners.
Again and again in fashionable society, frequently among those most
prone to call their poorer countrymen and women ill-mannered, there are
barbarities and repulsive lapses of good taste not merely tolerated,
but approved as marks of fashion and refinement. For example: A rich
woman gives a cotillon, provides many thousand dollars’ worth of
handsome favors. You look about the ballroom--there sits a circle of
girls, pretty and ugly and passable, attractive and unattractive. Some
are loaded down with favors--you can hardly see their radiant faces
for the mass of articles which testify to their popularity.
Others have only a few favors, and those of the poorest. Yet there
they must sit, acting as foils for the pretty and lucky girls who are
emphasizing their homeliness and bad luck. Their sufferings do not show
in their faces--at least not very plainly. But they would not be human
if they did not feel the pangs of humiliated and wounded vanity at this
most conspicuous advertisement of their inferiority in charm.
Yet the cotillon is regarded as the very highest kind of refined social
entertainment. And hostesses will beam upon this sorry scene with
never a thought for the sufferings of their slighted and wounded girl
guests. In a truly refined society would any one ever give any form of
entertainment at which there would be frank discrimination among the
guests?
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account