Nationalists -- Philippines -- Fiction; Philippine fiction (Spanish) -- Translations into English; Philippines -- History -- Fiction
That night there was a grand function at the Teatro de Variedades. Mr.
Jouay’s French operetta company was giving its initial performance, Les
Cloches de Corneville. To the eyes of the public was to be exhibited
his select troupe, whose fame the newspapers had for days been
proclaiming. It was reported that among the actresses was a very
beautiful voice, with a figure even more beautiful, and if credit could
be given to rumor, her amiability surpassed even her voice and figure.
At half-past seven in the evening there were no more tickets to be had,
not even though they had been for Padre Salvi himself in his direct
need, and the persons waiting to enter the general admission already
formed a long queue. In the ticket-office there were scuffles and
fights, talk of filibusterism and races, but this did not produce any
tickets, so that by a quarter before eight fabulous prices were being
offered for them. The appearance of the building, profusely
illuminated, with flowers and plants in all the doors and windows,
enchanted the new arrivals to such an extent that they burst out into
exclamations and applause. A large crowd surged about the entrance,
gazing enviously at those going in, those who came early from fear of
missing their seats. Laughter, whispering, expectation greeted the
later arrivals, who disconsolately joined the curious crowd, and now
that they could not get in contented themselves with watching those who
did.
Yet there was one person who seemed out of place amid such great
eagerness and curiosity. He was a tall, meager man, who dragged one leg
stiffly when he walked, dressed in a wretched brown coat and dirty
checkered trousers that fitted his lean, bony limbs tightly. A straw
sombrero, artistic in spite of being broken, covered an enormous head
and allowed his dirty gray, almost red, hair to straggle out long and
kinky at the end like a poet’s curls. But the most notable thing about
this man was not his clothing or his European features, guiltless of
beard or mustache, but his fiery red face, from which he got the
nickname by which he was known, Camaroncocido. [46] He was a curious
character belonging to a prominent Spanish family, but he lived like a
vagabond and a beggar, scoffing at the prestige which he flouted
indifferently with his rags. He was reputed to be a kind of reporter,
and in fact his gray goggle-eyes, so cold and thoughtful, always showed
up where anything publishable was happening. His manner of living was a
mystery to all, as no one seemed to know where he ate and slept.
Perhaps he had an empty hogshead somewhere.
But at that moment Camaroncocido lacked his usual hard and indifferent
expression, something like mirthful pity being reflected in his looks.
A funny little man accosted him merrily.
“Friend!” exclaimed the latter, in a raucous voice, as hoarse as a
frog’s, while he displayed several Mexican pesos, which Camaroncocido
merely glanced at and then shrugged his shoulders. What did they matter
to him?
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account