Nationalists -- Philippines -- Fiction; Philippine fiction (Spanish) -- Translations into English; Philippines -- History -- Fiction
Serpolette was surrounded by two gallant officers, a sailor, and a
lawyer, when she caught sight of him moving about, sticking the tip of
his long nose into all the nooks and corners, as though with it he were
ferreting out all the mysteries of the stage. She ceased her chatter,
knitted her eyebrows, then raised them, opened her lips and with the
vivacity of a Parisienne left her admirers to hurl herself like a
torpedo upon our critic.
“Tiens, tiens, Toutou! Mon lapin!” she cried, catching Padre Irene’s
arm and shaking it merrily, while the air rang with her silvery laugh.
“Tut, tut!” objected Padre Irene, endeavoring to conceal himself.
“Mais, comment! Toi ici, grosse bête! Et moi qui t’croyais—”
“’Tais pas d’tapage, Lily! Il faut m’respecter! ’Suis ici l’Pape!”
With great difficulty Padre Irene made her listen to reason, for Lily
was enchanteé to meet in Manila an old friend who reminded her of the
coulisses of the Grand Opera House. So it was that Padre Irene,
fulfilling at the same time his duties as a friend and a critic, had
initiated the applause to encourage her, for Serpolette deserved it.
Meanwhile, the young men were waiting for the cancan. Pecson became all
eyes, but there was everything except cancan. There was presented the
scene in which, but for the timely arrival of the representatives of
the law, the women would have come to blows and torn one another’s hair
out, incited thereto by the mischievous peasants, who, like our
students, hoped to see something more than the cancan.
Scit, scit, scit, scit, scit, scit,
Disputez-vous, battez-vous,
Scit, scit, scit, scit, scit, scit,
Nous allons compter les coups.
The music ceased, the men went away, the women returned, a few at a
time, and started a conversation among themselves, of which our friends
understood nothing. They were slandering some absent person.
“They look like the Chinamen of the pansiteria!” whispered Pecson.
“But, the cancan?” asked Makaraig.
“They’re talking about the most suitable place to dance it,” gravely
responded Sandoval.
“They look like the Chinamen of the pansiteria,” repeated Pecson in
disgust.
A lady accompanied by her husband entered at that moment and took her
place in one of the two vacant boxes. She had the air of a queen and
gazed disdainfully at the whole house, as if to say, “I’ve come later
than all of you, you crowd of upstarts and provincials, I’ve come later
than you!” There are persons who go to the theater like the contestants
in a mule-race: the last one in, wins, and we know very sensible men
who would ascend the scaffold rather than enter a theater before the
first act. But the lady’s triumph was of short duration—she caught
sight of the other box that was still empty, and began to scold her
better half, thus starting such a disturbance that many were annoyed.
“Ssh! Ssh!”
Public-domain text, read in full here on John Shaqi.
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