On the Bridge of Spain, a bridge whose name alone came from Spain, since even its ironwork came from foreign countries, he fell in with the long procession of young men on their way to the Walled City to their respective schools. Some were dressed in the European fashion and walked rapidly, carrying books and notes, absorbed in thoughts of their lessons and essays—these were the students of the Ateneo. Those from San Juan de Letran were nearly all dressed in the Filipino costume, but were more numerous and carried fewer books. Those from the University are dressed more carefully and elegantly and saunter along carrying canes instead of books. The collegians of the Philippines are not very noisy or turbulent. They move along in a preoccupied manner, such that upon seeing them one would say that before their eyes shone no hope, no smiling future. Even though here and there the line is brightened by the attractive appearance of the schoolgirls of the Escuela Municipal, [24] with their sashes across their shoulders and their books in their hands, followed by their servants, yet scarcely a laugh resounds or a joke can be heard—nothing of song or jest, at best a few heavy jokes or scuffles among the smaller boys. The older ones nearly always proceed seriously and composedly, like the German students. Placido was proceeding along the Paseo de Magallanes toward the breach—formerly the gate—of Santo Domingo, when he suddenly felt a slap on the shoulder, which made him turn quickly in ill humor. “Hello, Penitente! Hello, Penitente!” It was his schoolmate Juanito Pelaez, the barbero or pet of the professors, as big a rascal as he could be, with a roguish look and a clownish smile. The son of a Spanish mestizo—a rich merchant in one of the suburbs, who based all his hopes and joys on the boy’s talent—he promised well with his roguery, and, thanks to his custom of playing tricks on every one and then hiding behind his companions, he had acquired a peculiar hump, which grew larger whenever he was laughing over his deviltry. “What kind of time did you have, Penitente?” was his question as he again slapped him on the shoulder. “So, so,” answered Placido, rather bored. “And you?” “Well, it was great! Just imagine—the curate of Tiani invited me to spend the vacation in his town, and I went. Old man, you know Padre Camorra, I suppose? Well, he’s a liberal curate, very jolly, frank, very frank, one of those like Padre Paco. As there were pretty girls, we serenaded them all, he with his guitar and songs and I with my violin. I tell you, old man, we had a great time—there wasn’t a house we didn’t try!”