Nationalists -- Philippines -- Fiction; Philippine fiction (Spanish) -- Translations into English; Philippines -- History -- Fiction
“Stop, stop, stop!” interrupted the professor. “Heavens, what a rattle!
We are at the point where the mirrors are divided into metallic and
glass, eh? Now if I should present to you a block of wood, a piece of
kamagon for instance, well polished and varnished, or a slab of black
marble well burnished, or a square of jet, which would reflect the
images of objects placed before them, how would you classify those
mirrors?”
Whether he did not know what to answer or did not understand the
question, the student tried to get out of the difficulty by
demonstrating that he knew the lesson, so he rushed on like a torrent.
“The first are composed of brass or an alloy of different metals and
the second of a sheet of glass, with its two sides well polished, one
of which has an amalgam of tin adhering to it.”
“Tut, tut, tut! That’s not it! I say to you ‘Dominus vobiscum,’ and you
answer me with ‘Requiescat in pace!’ ”
The worthy professor then repeated the question in the vernacular of
the markets, interspersed with cosas and abás at every moment.
The poor youth did not know how to get out of the quandary: he doubted
whether to include the kamagon with the metals, or the marble with
glasses, and leave the jet as a neutral substance, until Juanito Pelaez
maliciously prompted him:
“The mirror of kamagon among the wooden mirrors.”
The incautious youth repeated this aloud and half the class was
convulsed with laughter.
“A good sample of wood you are yourself!” exclaimed the professor,
laughing in spite of himself. “Let’s see from what you would define a
mirror—from a surface per se, in quantum est superficies, or from a
substance that forms the surface, or from the substance upon which the
surface rests, the raw material, modified by the attribute ‘surface,’
since it is clear that, surface being an accidental property of bodies,
it cannot exist without substance. Let’s see now—what do you say?”
“I? Nothing!” the wretched boy was about to reply, for he did not
understand what it was all about, confused as he was by so many
surfaces and so many accidents that smote cruelly on his ears, but a
sense of shame restrained him. Filled with anguish and breaking into a
cold perspiration, he began to repeat between his teeth: “The name of
mirror is applied to all polished surfaces—”
“Ergo, per te, the mirror is the surface,” angled the professor. “Well,
then, clear up this difficulty. If the surface is the mirror, it must
be of no consequence to the ‘essence’ of the mirror what may be found
behind this surface, since what is behind it does not affect the
‘essence’ that is before it, id est, the surface, quae super faciem
est, quia vocatur superficies, facies ea quae supra videtur. Do you
admit that or do you not admit it?”
The poor youth’s hair stood up straighter than ever, as though acted
upon by some magnetic force.
“Do you admit it or do you not admit it?”
Public-domain text, read in full here on John Shaqi.
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