The Relentless CityBenson, E. F. (Edward Frederic)
General
The Relentless City
Benson, E. F. (Edward Frederic)
British -- United States -- Fiction; New York (N.Y.) -- Social life and customs -- Fiction; Upper class -- Fiction
She looked up at her father as she spoke. He was standing close to
her--a short, gray-whiskered man, insignificant in face and features
except for those wonderful eyes. In his hand, the hand which by a
stroke of the pen, a signing of the name, could set in motion the force
of millions, was a little silver paper-knife which she had once given
him. Even now, as she knew--for he had said he could only give her five
minutes after lunch--there were waiting for him a hundred schemes to
be considered, a hundred more levers to move the world 'as he chose.
But he stood there, waiting with a woman's infinite patience for any
impulse towards confidence she-might feel--just a tender, solicitous
father, grasping in his hand a daughter's insignificant gift.
'We have always been chums, Amelie,' he said, with a sort of appealing
wistfulness. 'When you were quite little, you always used to bring me
your little worries for us to smooth out together. I used to be pretty
smart at it; I used to be devilish proud of the way I could take the
frown out of your little forehead.'
She held out her hand to him.
'You are an old darling,' she said, with unshed tears springing to her
eyes. 'But I tell you this truth: it is only I who have been worrying.
I have been imagining all sorts of things, so that I have got to
believe them. That is the matter with me.'
'You have heard nothing specific?' he asked.
Again that question arrested her, awoke her imaginings, and she made up
her mind on what had long been a pondered idea.
She got up at once.
'Nothing whatever,' she said, with a resumption of her usual manner.
'Now I am going. Take care of yourself, papa darling, and wake this
sleepy old county up. I adore its sleepiness myself, and I know you can
never rouse it, otherwise I should not suggest it.'
The carriage was waiting for her, and she got briskly in.
'Mrs. Emsworth's,' she said to the footman.
As she drove there, she tried to stifle thought, for she knew that her
design was to confirm or dispel a suspicion that should never have been
hers. She was doing a thing which was based on a wrong done to her
husband in thought. That she knew, but she combated it by saying to
herself.
'What if it is true?'
She found Mrs. Emsworth at home and delighted to see her, and for a
little they just interchanged the generalities which, between two
people who have not seen each other for some time, are the necessary
ushers to real talk. The day was very hot, and Dorothy, catlike, basked
and purred in it. There was something rather _décolleté_ about her
appearance, and something in her general atmosphere was equally so. She
was, in fact, very different, so she struck Amelie, from the woman who
told the gardener's son the fairy-story on the dewy lawn at Long Island.
Public-domain text, read in full here on John Shaqi.
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