The Relentless CityBenson, E. F. (Edward Frederic)
General
The Relentless City
Benson, E. F. (Edward Frederic)
British -- United States -- Fiction; New York (N.Y.) -- Social life and customs -- Fiction; Upper class -- Fiction
Dorothy felt a strong though momentary impulse to box her ears. It
would probably have been a good thing if she had yielded to it. She
herself had felt for Amelie a sort of wondering pity that a matter so
long dead could possibly be bitter still, and, acting under that, she
had done her best to reassure her. But Amelie had slapped that generous
impulse in the face; she had also chosen to express doubt as to the
truth of what she had been told; and a rather more pronounced felinity
awoke in Dorothy's face.
'You had better go and talk it out with Bertie,' she said.
'Ask him to repeat what he remembers of that letter. He is sure to have
some recollection of it even now that he is so happily married. You can
then draw your own conclusions, and, as far as I am concerned, you are
perfectly free to do so. Oh yes, and tell him that I constantly use the
dressing-bag he so kindly returned, and think of him.'
Amelie went out, feeling as if her world had fallen in ruins about her
head. Possibilities which she had been ashamed of harbouring in her
mind suddenly leapt out into flaring certainties, and they enveloped
her. She could not think as yet coherently or connectedly; wherever she
turned her thoughts, a flame flashed in her eyes. All her secret doubts
were justified: Bertie had loved this woman; it was she who had called
out the notes of his lyre, while she herself was given the shillings
and pence--all the small change of the dower of love which he had once
showered on Mrs. Emsworth. She could get no further than this; in this
circle her thoughts ran round and round, like a squirrel in a revolving
cage. Wherever she tried to go, she was still pawing round that one
circle; she could get no further; the range of her mental processes
was limited to that. And she now knew at once that she had to go on
her way, whatever it was, unattended, uncomforted; and even in the
exaggerated desolation of these first moments she could make the one
resolve that no one, not even her father, should ever know. This her
pride imperatively demanded: whatever she had to bear, she would bear
in silence. And she could bear anything except pity.
'I want to be fire'--that was explained now, and that he should want
that seemed to her an added insult.
'My dear Amelie,' he seemed to say, 'you are a charming girl, but you
don't interest me--like that. I wish you did; I really wish you did.'
Public-domain text, read in full here on John Shaqi.
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