The Relief of Mafeking: How it Was Accomplished by Mahon's Flying Column; with an Account of Some Earlier Episodes in the Boer War of 1899-1900Young, Filson
History
The Relief of Mafeking: How it Was Accomplished by Mahon's Flying Column; with an Account of Some Earlier Episodes in the Boer War of 1899-1900
Young, Filson
Mafikeng (South Africa) -- History -- Siege, 1899-1900
But now the ambulance was slowly returning from the place whither it had
been sent to receive the dead bodies. A place for the grave was chosen
where a thorn tree spread shadows on the ground. There were stony hills
all round, encircling a wide and green basin just within the Boer lines,
and it was beside one of these that the grave was dug. The ground was
very hard and the labour severe; it was at least two hours before the
fatigue-party, working in short shifts, had excavated a resting-place
for the two bodies. While they were working the Boers gathered round us
to the number of a couple of hundred. They were very silent, eyeing us
with an absorbed interest that embraced every article of our equipment.
Men of the humblest peasant class, poorly--in many respects
wretchedly--clad, they presented, in their ragged and shabby apparel, a
sharp contrast to our Yeomanry soldiers, who seemed, by comparison, trim
and well cared for. The Boers wore their ordinary clothes, which were
relieved by only one military touch--the bandolier. This was generally
of home manufacture, and in many cases was a touching and significant
document of affection. "Thought flies best when the hands are easily
busy"; ah, how many thoughts and fears had been worked into those
bandoliers when busy fingers wrought them in the far-away farmhouse! In
some of them, I thought, portraits of the makers were to be discovered.
Fancy stitches and cunning invention which provided for thrice the usual
number of cartridges told one tale; flannel paddings which sought to
make of the military appointment a winter garment told another. The
Boers, I suppose, envied us our serge and whipcord, but to examine their
homely makeshifts was to realise that even the art of Stohwasser may
leave something to be desired. Although they eyed us diligently they had
now fallen strangely silent; they offered us little conversation, but
spoke freely in low tones amongst themselves; they replied to our
questions with a brief civility that did not encourage any very brisk
intercourse. We soon gave up the attempt and lay down under the shade of
the ambulance in our sheltered hollow, listening to the wind singing in
the thin vegetation of the hill above us.
Public-domain text, read in full here on John Shaqi.
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