"Whom thou sawest [die] the death(?) [of][*] . . . [I see]-- In the resting-place of . . . reposing, pure waters he drinketh. Whom in the battle thou sawest killed, I see-- His father and his mother raise his head, And his wife upon [him leaneth?]. Whose corpse thou hast seen thrown down in the plain, I see-- His /edimmu/ in the earth reposeth not. Whose /edimmu/ thou sawest without a caretaker, I see-- The leavings of the dish, the remains of the food, Which in the street is thrown, he eateth." [*] (?)"The death of the righteous," or something similar? It is naturally difficult to decide in a passage like this, the difference existing between a man's /utukku/ and his /edimmu/, but the probability is, that the former means his spiritual essence, whilst the latter stands for the ghostly shadow of his body, resembling in meaning the /ka/ of the Egyptians. To all appearance the abode described above is not the place of the punishment of the wicked, but the dwelling of those accounted good, who, if lucky in the manner of their death, and the disposal of their bodies, enjoyed the highest happiness in the habitation of the blest. The other place, however, is otherwise described (it occurs in the account of Ištar's descent into Hades, and in the seventh tablet of the Gilgameš series--the latter differing somewhat):-- "Upon the land of No-return, the region of . . ., [Set] Istar, daughter of Sin, her ear. The daughter of Sin set then her ear . . . Upon the house of gloom, the seat of Irkalla--[1] Upon the house whose entrance hath no exit,[2] Upon the path whose way hath no return, Upon the house whose enterers are deprived of light, Where dust is their nourishment, their food mud, Light they see not, in darkness they dwell, Clothed also, like a bird, in a dress of feathers. Upon the door and bolt the dust hath blown." [1] One of the names of Nergal. [2] Or "whose enterer goeth not forth." Seven gates gave access to this place of gloom, and the porter, as he let the visitor in, took from her (the goddess Ištar in the narrative) at each an article of clothing, until, at the last, she entered quite naked, apparently typifying the fact that a man can take nothing with him when he dieth, and also, in this case, that he has not even his good deeds wherewith to clothe himself, for had they outweighed his evil ones, he would not have found himself in that dread abode.