cases not as yet provided for would arise, and new formulas with new
instructions would be produced; or the exorcisers at a certain temple
would learn of remedies tried elsewhere, and would embody them in their
own special code. In short, the growth of these incantation 'rituals'
was probably similar to the manner in which, on the basis of actual
practice, religious codes grew up around the sanctuaries of ancient
Israel,--a process that terminated in the production of the various
codes and rituals constituting the legal documents embodied in the
Pentateuch.
The prominence given to Ea and to his favorite seat, the city of Eridu,
in the incantations suggests the theory that many of our texts are to be
ultimately traced to the temple of Ea, that once stood at Eridu. In that
case an additional proof would be furnished of the great antiquity of
the use of incantations in Babylonia. We must sharply distinguish
however, as already emphasized, between the origin and the present form
of the rituals. Again, those parts of a ritual in which Gibil, or Nusku,
appears prominently would most naturally be produced by priests
connected with a temple sacred to the one or the other of these gods.
The practice of incantation, however, being common to all parts of
Babylonia, we can hardly suppose that any temple should have existed
which did not have its exorcising formulas. In the combination of these
formulas into a ritual, due consideration would naturally be had to the
special gods invoked, the obvious result of which would be to produce
the long lists of deities that are often embodied in a single
incantation. The details of this process can of course no longer be
discerned, but the inevitable tendency would be towards increasing
complications. The effort would be made to collect everything, and from
all known quarters. Hence the heterogeneous elements to be detected in
the texts, and which, while adding to their interest, also increase the
difficulty of their interpretation. In consequence of the presence of
such heterogeneous elements, it is difficult to determine within an
incantation series any guiding principles that prompted the collectors.
Still we can often distinguish large groups in a series that belong
together. So we have whole series of addresses to the fire-god ending
with incantations, and again a series of descriptions of the group of
seven spirits serving a similar purpose as introductions to
incantations, but we cannot see on what grounds the transition from one
subject to the other takes place. Indeed the transitions are generally
marked by their abruptness.
Public-domain text, read in full here on John Shaqi.
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