He only suggests the images, and makes the light of the future shine in her soul.” The conversation then turns upon certain events which had accompanied, or been preceded by, portents and wonders happening to statues and other gifts consecrated in the Temple. On this subject Philinus asserts his firm belief that “all the sacred offerings at Delphi are specially moved by divine forethought to the indication of futurity, and that no fragment of them is dead and irresponsive, but all are filled with divine power.” Boethus, as a newly converted Epicurean, makes a mock of this view, this “identification of Apollo with brass and stone, as if chance were not quite competent to account for such coincidences,” and he subsequently enlarges his view as follows:—“What possible condition of temporal affairs, my friend, cannot be assigned to natural causes? What strange and unexpected event, occurring by sea or by land, to cities or to individual men, could one predict without some chance of hitting the mark?[283] Yet you would hardly call this prediction; it would be merely assertion, or, rather, the dissemination at random, into the abyss of infinity, of bare words without any guiding principle leading them to a particular end, words which, as they wander about, are sometimes met by chance events which correspond with them.” And Boethus continues to insist that, though some predictions may have by accident come true, the original assertions were not the less false on that account. Serapion admits that this may be true about vague predictions, but maintains that such detailed prophecies as those he proceeds to quote from history do not owe their accomplishment to chance.[284] The attention of the disputants—if these calm and dignified colloquies can be called disputes—is here again attracted to the objects of artistic and historical interest surrounding them, among which the guide takes occasion to point out the place where formerly had reposed the iron spits dedicated by the courtezan Rhodopis under the circumstances detailed by Herodotus.[285] Diogenianus warmly protests against such offerings having ever been admitted into the Temple, but Serapion draws his attention to the golden statue of the more notorious Phryne, “that trophy of Greek incontinence,”—as Crates had called it—and condemns the inconsistency of these objections in people who see, without a protest, the temple crowded with offerings made by the Greek cities for victories in their internecine warfare. “It were fitting,” exclaims he, “that kings and magistrates should consecrate to the god offerings of justice, temperance, and magnanimity, and not tributes of a golden and luxurious wealth, which the most evil livers often abound in.”[286]