But we have better testimony to the fact than the ghosts of Nippur. Behind the human figures of the Semitic gods the primitively pictorial character of the cuneiform signs enables us to discern the lineaments of figures that belong to a wholly different sphere of religious thought. They are the figures not of men, but of brute beasts. The name of En-lil was denoted by a composite sign which represented the word _elim_, “a ram”;(272) that of Ea by the ideograph which stood for _dara_, “the antelope.”(273) En-lil, accordingly, was once a ram; Ea, an antelope. There are other deities which reveal their first shapes in similar fashion. The wife of Hadad, for example, was Azaga-ṡuga, “the milch-goat” of En-lil, from whom the primitive Sumerian shepherd derived his milk.(274) Merodach himself, or rather his Sumerian prototype at Eridu, was once Asari-elim, “the princely ram”;(275) a striking title when we remember that Osiris, too, was addressed in Egypt as Ati, “the prince,” and identified with the ram of Mendes. Even Zu, the divine thief who stole the tablets of destiny, was the storm-bird, the forefather alike of the roc of the _Arabian Nights_ and of the Chinese storm-bird, “which, in flying, obscures the sun, and of whose quills the water-tuns are made.” In many cases, however, the original forms of the Babylonian divinities survived only in the animals upon whose backs they were depicted as standing, or with whom the gem-cutter associated them on seals.(276) Now and again an attempt was made to combine them with the human figure. Thus Ea is at times represented as clothed in the skin of a fish, a fitting symbol of the relation between the newer and older religions of Babylonia and the antagonistic views of the godhead entertained by the races that dwelt there. At other times the animal form is relegated to that great company of demons and inferior spirits amongst whom room was found for the multitudinous ghosts of Sumerian belief. Where it is not altogether excluded from the world of gods and men, it exists only as the humble retainer of one of the human gods. As Merodach was accompanied by his four divine dogs, so Ea was attended by sacred bulls. They guarded the approach to the “field” and “house of Eden,” like the colossal figures, with bull-like bodies and the heads of men, that guarded the gates of the palace or temple. They were, in fact, the cherubim who forbade approach to the tree of life (or knowledge),—that sacred palm which an old Babylonian hymn tells us was planted beside the pathway of Ea in Eridu, where the god had his house in the centre of the earth, pouring from his hands the waters of fertility that flowed down in the twofold streams of the Tigris and Euphrates.(277) In later art, however, the bull-like form disappeared, and the guardians of the sacred tree were represented in human shape, but with the heads of eagles. The change of form was due to the same striving