fashion, is not only hinted at as occurring here and there even before the epic, but in the epic these forms are all recognized as equally approved: "When a man dies he is burned or buried or exposed" (_nik[r.][s.]yate_)[31] it is said in i. 90. 17; and the narrator goes on to explain that the "hell on earth," of which the auditor "has never heard" (vs. 6) is re-birth in low bodies, speaking of it as a new doctrine. "As if in a dream remaining conscious the spirit enters another form"; the bad becoming insects and worms; the good going to heaven by means of the "seven gates," viz., penance, liberality, quietism, self-control, modesty, rectitude, and mercy. This is a union of two views, and it is evidently the popular view, that, namely, the good go to heaven while the bad go to new existence in a low form, as opposed to the more logical conception that both alike enter new forms, one good, the other bad. Then the established stadia, the pupil, the old teaching (_upanishad_) of the householders, and the wood-dwellers are described, with the remark that there is no uniformity of opinion in regard to them; but the ancient view crops out again in the statement that one who dies as a forest-hermit "establishes in bliss" ten ancestors and ten descendants. In this part of the epic the Punj[=a]b is still near the theatre of events, the 'centre region' being between the Ganges and Jumna (I. 87. 5); although the later additions to the poems show acquaintance with all countries, known and unknown, and with peoples from all the world. Significant in xii. 61. 1, 2 is the name of the third order _bh[=a]ikshyacaryam_ 'beggarhood' (before the forest-hermit and after the householder).