(2) To the Shintōist, who hated Buddhism and the Riyōbu Shintō which had overlaid his ancestral faith, and who scorned and tabooed this Chinese term Dai Miō Jin, this or that image represented a divine ancestor whose name had in it many Japanese syllables, with no defiling Chinese sounds, and who was the Kami or patron deity of this or that neighborhood. (3) To the Buddhist, this or that personage, in his lifetime, in the early ages of Japanese history, had been an avatar of Buddha who had appeared in human flesh and brought blessings to the people and neighborhood; yet the people of the early ages being unprepared to receive his doctrine or revelation, he had not then revealed or preached it; but now, as for a thousand years since the time of the illustrious and saintly Kōbō, he had his right name and received his just honors and worship as an avatar of the eternal Buddha. So, although Buddhist and Shintōist might quarrel as to his title, and divide, even to anger, on minor points, they would both agree in letting the common people take their pleasure, enjoy the festivals and merriment, and preserve their reverence and worship. (4) Still another spectator studied with critical interest the swaying figure high in air. With a taste for archaeology, he admired the accuracy of the drapery and associations. He was amused, it may be, with occasional anachronisms as to garments or equipments. He knew that the original of this personage had been nothing more than a human being, who might indeed have been conspicuous as a brave soldier in war, or as a skilful physician who helped to stop the plague, or as a civilizer who imported new food or improved agriculture. In a word, had this subject of the ancient Mikado lived in modern Christendom, he might be honored through the government, patent office, privy council, the admiralty, the university, or the academy, as the case or worth might be. He might shine in a plastic representation by the sculptor or artist, or be known in the popular literature; but he would never receive religious worship, or aught beyond honor and praise. In this swamping of history in legend and of fact in dogma, we behold the fruit of Kōbō's work, Riyōbu Buddhism. Kōbō's Work Undone.