New also, but better in its effect, was the publicity of these proceedings, and the part taken in them by the whole population, patrician and plebeian, men, women, and children. If we can trust Livy's further statements, every one left his door open and kept open house, inviting all to come in, whether known or unknown; all old quarrels were made up, and no new ones suffered to begin; prisoners were freed from their chains, and universal good-will prevailed. These eight days were in fact kept as holidays, and doubtless by the novelty of the whole scene the astute authorities hoped to inspire fresh hope and confidence, and to divert attention from the prevailing misery, just as our soldiers in India are induced to forget the presence of cholera in a station by constant games and amusements. That this was really one leading object of the whole show is not generally recognised by historians; but it seems fully explained by the fact I mentioned just now, that in the similar trouble of 349 B.C. recourse was had for the first time to _ludi scenici_ in order to amuse the people. In the history of the Hannibalic war we shall have plenty of opportunity of noting this kind of expedient. The Roman people, we must remember, were getting more and more to be inhabitants of a large city, and, as such, to seek for entertainment, like all citizens in all ages. The religious rites of the old calendar were perhaps by this time getting too familiar, losing their original meaning; whether they had ever been very entertaining to a city population may be doubted. Something more showy was needed; processions had always been to the taste of the Roman, and banquets, such as the epulum Iovis, which I have already noticed, often accompanied the processions.