The smaller capitals give us such entries as _feriae Iovi_, _feriae Saturno_, _i.e._ the name of a deity to whom a festival was sacred, the foundation days of temples, generally with the name of the deity in the dative and the position of the temple in the city, and certain _ludi_ and memorial days, which belong to a much later age than the original festivals. But the names of those which are inscribed in large letters bear witness beyond all question to their own antiquity; for among them there is not one which has anything to do, so far as we know, with a non-Roman deity, and we know that foreign deities began to arrive in Rome before the end of the kingly period. Here, then, we have genuine information about the oldest religious doings of the City-state, in what indeed is, as Mommsen said, the most ancient source of our knowledge about Roman antiquity generally. The first point we notice in studying this calendar (putting aside for the present the question as to the agency by which it was drawn up) is this: it exactly reflects a transition from the life of a rural population engaged in agriculture, to the highly-organised political and military life of a City-state. In other words, the State, whose religious needs and experience it reflects, was one whose economic basis was agriculture, whose life included legal and political business, and whose activity in the season of arms was war. This last characteristic is discernible chiefly, if not entirely, in the months of March and October; and the former of these bears the name of the great deity, who, whatever may have been his origin or the earliest conception of him, was throughout Roman history the god of war. All through March up to the 23rd the Salii, the warlike priests of Mars, were active, dancing and singing those hymns of which an obscure fragment has come down to us, and clashing and brandishing the sacred spears and shields of the god (_ancilia_).[191] On the 19th these ancilia were lustrated--a process to which I shall recur in another lecture; and on the 23rd we find in the calendar the festival Tubilustrium, which suggests the lustration of the trumpets of the host before it took the field. On the 14th of March,[192] and also on the 27th of February, we find Equirria in the calendar, which must be understood as lustrations of the horses of the host, accompanied with races. If we may take the ancilia as symbolising the arms of the host, we see in the festivals of this month a complete religious process preparing the material of war for the perils inevitably to be met with beyond the _ager Romanus_, whether from human or spiritual enemies; and that the warriors themselves were subjected to a process of the same kind we know from the historical evidence of later times.[193] Now in October, when the season of arms was over, we find indications of a parallel process, which Wissowa was the first to point out clearly, but