Now, the general meaning of this symbol I take to be the same as that which led to the choice of hills and “high places,” as sites for altars and temples, and to the assigning of mountain tops as the abodes of the chief gods. It is seen in adjectives applied, I believe, in all languages, certainly all developed ones, to such deities themselves. These adjectives are related to adverbs of place, signifying _above_, _up_ or _over_. We speak of the supernatural, or supernal powers, the Supreme Being, the Most High, He in Heaven, and such like. So do all Aryan and Semitic tongues. Beyond them, the Chinese name for the Supreme Deity, Tien, means _up_. I have elsewhere illustrated the same fact in native American tongues. The association of light and the sky above, the sun and the heaven, is why we raise our hands and eyes in confident prayer to divinity. That at times, however, a religion of sex-love did identify these erect symbols with the phallus as the life-giver, is very true, but this was a temporary and adventitious meaning assigned a symbol far more ancient than this form of religion. In this review of the principles of religious symbolism, I have attempted mainly to exhibit the part it has sustained in the development of the religious sentiment. It has been generally unfavorable to the growth of higher thought. The symbol, in what it is above the emblem, assumes more than a similarity, a closer relation than analogy; to some degree it pretends to a hypostatic union or identity of the material with the divine, the known to sense with the unknown. Fully seen, this becomes object worship; partially so, personification. There is no exception to this. The refined symbolisms which pass current to day as religious philosophies exemplify it. The one, esthetic symbolism, has its field in musical and architectural art, in the study and portraiture of the beautiful; the other, scientific symbolism, claims to discover in the morphology of organisms, in the harmonic laws of physics, and in the processes of the dialectic, the proof that symbolism, if not a revelation, is at least an unconscious inspiration of universal truth. This is the “Doctrine of Correspondences,” much in favor with Swedenborgians, but by no means introduced by the founder of that sect. The recognition of the identity in form of the fundamental laws of motion and thought, and the clearer understanding of the character of harmony which the experiments of Helmholtz and others give us, disperse most of the mystery about these similarities. The religion of art, as such, will come up for consideration in the next chapter. The second form of the Cult is the Rite. This includes the acts or ceremonies of worship. Considered in the gross, they can be classed as of two kinds, the first and earliest propitiatory, the second and later memorial or institutionary.