I have earlier said that the temples of the Greek gods at Rome were built in Greek style by Greek architects, and that the images of the gods within were copies of famous Greek works of art. By these the Romans’ ideas as to the personality of their divinities were fixed in the Greek concepts. As Rome extended her conquests over Greek lands, first in southern Italy and Sicily, and then in Greece proper, she acquired as part of the spoils of war great treasures of Greek sculpture and painting; the number of statues and other works of art which were brought home by Memmius alone after the destruction of Corinth in 146 B.C. can hardly be estimated. A large number of them represented the gods, and intensified the process of Hellenization with which we are now concerned, for the statues and other representations of Cronos, Zeus, Hera, Ares, and Athena readily represented Saturn, Jupiter, Juno, Mars, and Minerva. In cases where the similarity was not so close, the nearest Greek analogy was selected; if none was satisfactory, still the best was made of the case, as when the Greek representations of the Dioscuri, Castor and Pollux, came to do service for the Lares Praestites. Among the spoils of war were many Greek paintings, for which mythological scenes were favorite subjects, and such frequently represented the baser, sensual side of traditional religion. The effect on the ignorant was to give them a lower concept of divinity; the intellectual classes were disgusted with the gods of such a sort and rejected them. But the most potent influence that came from Greece to Rome was naturally philosophy. We cannot fix any date for the introduction of Greek philosophic thought at Rome, yet it certainly became influential soon after the close of the Second Punic War. We have already seen that long before this time the Greek philosophic systems were highly developed and had done much to drive the traditional gods from their high places. It was inevitable that these philosophies should have a swift effect when they once became known to the newly Hellenized Roman society of the second century B.C. The poet Ennius, who belonged to the first half of that century, was a man of strong religious bent and moral convictions, and he heartily scorned the superstitious notions of his day. He had been already influenced by Epicurean scepticism with regard to the existence of the gods, and the following words, spoken by Teucer in one of his tragedies, may well have represented his own view: “I have always said, and I shall always say, that the gods of heaven exist, but I believe that they have no care for what the race of man does. For if they had such care, it would be well with the good and ill with the wicked; which is not the case now.”[267] It is the ancient difficulty of justifying the ways of God to men. Ennius adopted the easy solution by denial, which he had already learned from Epicureanism.