"I shall excuse my delay," he begins, "in fulfilling my promise of an
essay on the taste for beauty in works of art, in the words of Pindar.
He says to Agesidamus, a youth of Locri--idea te kalon, hôra te
kekramenon--whom he had kept waiting for an intended ode, that a debt
paid with usury is the end of reproach. This may win your good-nature
on behalf of my present essay, which has turned out far more detailed
and circumstantial than I had at first intended. "It is from yourself
that the subject is taken. Our intercourse has been short, too short
both for you and me; but the first time I saw you, the affinity of our
spirits was revealed to me: [192] your culture proved that my hope was
not groundless; and I found in a beautiful body a soul created for
nobleness, gifted with the sense of beauty. My parting from you was
therefore one of the most painful in my life; and that this feeling
continues our common friend is witness, for your separation from me
leaves me no hope of seeing you again. Let this essay be a memorial
of our friendship, which, on my side, is free from every selfish
motive, and ever remains subject and dedicate to yourself alone."
The following passage is characteristic--
"As it is confessedly the beauty of man which is to be conceived
under one general idea, so I have noticed that those who are
observant of beauty only in women, and are moved little or not at
all by the beauty of men, seldom have an impartial, vital, inborn
instinct for beauty in art. To such persons the beauty of Greek art
will ever seem wanting, because its supreme beauty is rather
male than female. But the beauty of art demands a higher
sensibility than the beauty of nature, because the beauty of art,
like tears shed at a play, gives no pain, is without life, and must
be awakened and repaired by culture. Now, as the spirit of
culture is much more ardent in youth than in manhood, the
instinct of which I am speaking must be exercised and directed to
what is beautiful, before that age is reached, at which one would
be afraid to confess that one had no taste for it."
Public-domain text, read in full here on John Shaqi.
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