In this effort to ennoble the French language, to give it grace,
number, perfection, and as painters do to their pictures, that last,
so desirable, touch--cette dernière main que nous désirons-what
Du Bellay is really pleading for is his mother-tongue, the
language, that is, in which one will have the utmost degree of
what is moving and passionate. He recognised of what force the
music and dignity of languages are, how they enter into the
inmost part of things; and in pleading for the cultivation of the
French language, he is pleading for no merely scholastic interest,
but for freedom, impulse, reality, not in literature only, but in
daily communion of speech. After all, it was impossible to have
this impulse in Greek and Latin, dead languages shut up in books
as in reliquaries--péris et mises en reliquaires de livres. By aid
of this starveling stock--pauvre plante et vergette--of the French
language, he must speak delicately, movingly, if he is ever to
speak so at all: that, or none, must be for him the medium of what
he calls, in one of his great phrases, le discours fatal des choses
mondaines--that discourse about affairs which decides men's
fates. And it is his patriotism [164] not to despair of it; he sees it
already perfect in all elegance and beauty of words--parfait en
toute élégance et vénusté de paroles.
Du Bellay was born in the disastrous year 1525, the year of the
battle of Pavia, and the captivity of Francis the First. His parents
died early, and to him, as the younger son, his mother's little
estate, ce petit Liré, the beloved place of his birth, descended. He
was brought up by a brother only a little older than himself; and
left to themselves, the two boys passed their lives in day-dreams
of military glory. Their education was neglected; "The time of
my youth," says Du Bellay, "was lost, like the flower which no
shower waters, and no hand cultivates." He was just twenty
years old when the elder brother died, leaving Joachim to be the
guardian of his child. It was with regret, with a shrinking sense
of incapacity, that he took upon him the burden of this
responsibility. Hitherto he had looked forward to the profession
of a soldier, hereditary in his family. But at this time a sickness
attacked him which brought him cruel sufferings, and seemed
likely to be mortal. It was then for the first time that he read the
Greek and Latin poets. These studies came too late to make him
what he so much desired to be, a trifler in Greek and Latin verse,
like so many others of his time now forgotten; instead, they made
him a lover of his own homely native tongue, that poor starveling
stock of the French [165] language. It was through this fortunate
short-coming in his education that he became national and
modern; and he learned afterwards to look back on that wild
garden of his youth with only a half regret. A certain Cardinal du
Bellay was the successful member of the family, a man often
employed in high official business.
Public-domain text, read in full here on John Shaqi.
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