The Renascence of Hebrew Literature (1743-1885)Slouschz, Nahum
Religion
The Renascence of Hebrew Literature (1743-1885)
Slouschz, Nahum
Hebrew literature, Modern -- History and criticism
Michael Pines, a writer in _Ha-Lebanon_, and the opponent of
Lilienblum, was the protagonist of the conservative party in Lithuania.
His chief work, _Yalde Ruhi_ ("The Children of My Spirit"),
appeared in 1872 at Mayence. It may be considered the literary
masterpiece on the conservative side, the counterstroke to Lilienblum's
"Sins of Youth". It is a defense of traditional Judaism, and is instinct
with an intuitive philosophy and with deep faith. Pines makes a closely
reasoned claim for the right of the Jewish religion to exist in its
integrity. Without being a fanatic, he believes, with Samuel David
Luzzatto, that the religion of the Jew on its poetic side is the
peculiar product of the Jewish national genius--that the religion, and
not the artificial legal system engrafted upon it, is the essential part
of Judaism. The ceremonies and the religious practices are necessary for
the purpose of maintaining the harmony of the faith, "as the wick is
necessary for the lamp". This harmony, reacting at once upon feeling and
morality, cannot be undone by the results of science, and therefore the
Jewish religion is eternal in its essence. The religious reforms
introduced by the German Rabbis have but had the effect of drying up the
springs of poetry in the religion, and as for the compromise between
faith and life, extolled and urged by Lilienblum, it is only a futile
phrase. Of what use is it, seeing that the religious feel no need of it,
but on the contrary take delight in the religion as it stands, which
fills the void in their soul?
Pines did not share the pessimistic fears of the realists of his time. A
true conservative, he believed in the national rebirth of the people of
Israel, and, a romantic Jew, he dreamed of the realization of the
humanitarian predictions of the prophets. Judaism to him is the pure
idea of justice, "and every just idea ends by conquering the whole of
humanity".
Extremes meet. There is one point in common between Lilienblum, the last
of the humanists, the disillusioned skeptic, and Pines, the optimist of
the ghetto. Both maintained that the action of the humanists was
inefficacious, and the compromise between religion and life a vain
expedient. Nevertheless, there was no possibility of bringing the two to
stand upon the same platform. While the humanists, in abandoning the
perennial dreams of the people, had separated themselves from its moral
and religious life, and thus cut away the ground from under their own
feet, the romantic conservatives paid no attention to the demands of
modern life, the currents of which had loosed the foundations of the old
world, and were threatening to carry away the last national breastwork.
A synthesis was needed to merge the two currents, the humanist and the
romantic, and lead the languishing Haskalah back to the living sources
of national Judaism. This was the task accomplished by Perez Smolenskin,
the leader of the national progressive movement.
Public-domain text, read in full here on John Shaqi.
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