The Renascence of Hebrew Literature (1743-1885)Slouschz, Nahum
Religion
The Renascence of Hebrew Literature (1743-1885)
Slouschz, Nahum
Hebrew literature, Modern -- History and criticism
In 1880, Smolenskin, who had undertaken a new and complete edition of
his works in twenty-four volumes, at Vienna, went on a tour through
Russia. Great was his joy when he noted the results produced by his own
activity, and saw that he had gained the affection and approval of all
enlightened classes of Jews. Under the influence of _Ha-Shahar_, a
new generation had grown up, free and nevertheless loyal to its nativity
and to the ideal of Judaism. Smolenskin's journey resembled a triumphal
procession. The university students at St. Petersburg and Moscow
arranged meetings in honor of the Hebrew writer, at which he was
acclaimed the master of the national tongue, the prophet of the
rejuvenation of his people. In the provincial districts, similar scenes
were enacted, and Smolenskin saw himself the object of honors never
before accorded a Hebrew author. He returned to Vienna, encouraged to
pursue the task he had assumed, and full of hope for the future.
It was the eve of the cataclysm foretold by the editor of _Ha-
Shahar_.
* * * * *
CHAPTER XI
THE NOVELS OF SMOLENSKIN
Smolenskin owed his vast popularity and his influence on his
contemporaries only in part to his work as a journalist. What brought
him close to the people were his realistic novels, which occupy the
highest place in modern Hebrew literature.
Smolenskin's first piece of fiction, _Ha-Gemul_ ("The Recompense"),
was published at Odessa, in 1868, on a subject connected with the Polish
insurrection. Save its realistic style, there was nothing about it to
betray the future novel writer of eminence.
It was said above, that Smolenskin wrote the early chapters of his
_Ha-To'eh_ while at Odessa, and, also, he planned another novel
there, "The Joy of the Hypocrite". When he proposed working out the
latter for publication in _Ha-Meliz_, the editor rejected the idea
disdainfully, saying that he preferred translations to original stories,
so little likely did it seem that realistic writing could be done in
Hebrew. Once he had his own organ, _Ha-Shahar_, Smolenskin wrote
and published novel after novel in it, beginning with his _Ha-To'eh
be-Darke ha-Hayyim_. In _Ha-Shahar_ it appeared in three parts.
Later it came out in book form, in four volumes. It is the first work of
the Hebrew realistic school worthy of being classed as such.
Public-domain text, read in full here on John Shaqi.
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