The Renascence of Hebrew Literature (1743-1885)Slouschz, Nahum
Religion
The Renascence of Hebrew Literature (1743-1885)
Slouschz, Nahum
Hebrew literature, Modern -- History and criticism
Smolenskin goes to the Yeshibah for the subject of one of his novels,
_Gemul Yesharim_ ("The Recompense of the Righteous"). The author
describes the part played by the Jewish youth in the Polish
insurrection. The ingratitude of the Poles proves that the Jews have
nothing to expect from others, and they should count only upon their own
resources.
_Gaon we-Sheber_ ("Greatness and Ruin") is a collection of
scattered novelettes, some of which are veritable works of art.
_Ha-Yerushah_ ("The Inheritance") is the last of Smolenskin's great
novels. It was first published in _Ha-Shahar_, in 1880-81. Its
three volumes are full of incoherencies and long drawn out arguments.
The life of the Jews of Odessa, however, and of Roumania, is well
depicted, and also the psychologic stages through which the older
humanists pass, deceived in their hopes, and groping for a return to
national Judaism.
Smolenskin's last novel, _Nekam Berit_ ("Holy Vengeance", _Ha-
Shahar_, 1884), is wholly Zionistic. It was the author's swan song.
Not long after its completion, an illness carried him off.
* * * * *
The novels of Smolenskin are a series of social documents and
propagandist writings rather than works of pure art. Their chief defects
are the incoherence of the action, the artificiality of the
_dénouement_, their simplicity in all that concerns modern life, as
well as their excessive didactic tendencies and the long-winded style of
the author. Most of these defects he shares with such writers as
Auerbach, Jokai, and Thackeray, with whom he may be placed in the same
class. In passing judgment, it must be borne in mind that the Hebrew
writer's life was one prolonged and bitter struggle for bare existence,
his own and _Ha-Shahar's_, for the periodical never yielded him any
income. Only his idealism and the consciousness of the useful purpose he
was serving sustained him in critical moments. These circumstances
explain why his works bear the marks of hasty production. However that
may be, since he gave them to the Jewish world, his novels have, even
more than his articles, exercised unparalleled influence upon his
readers.
In a word, the life of the Russian ghetto, its misery and its passions,
the positive and the negative types of that vanishing world, have been
set down in the writings of Smolenskin with such power of realism and
such profound knowledge of conditions that it is impossible to form a
just idea of Russo-Polish Judaism without having read what he has
written.
* * * * *
CHAPTER XII
CONTEMPORANEOUS LITERATURE
The years 1881-1882 mark off a distinct era in the history of the Jewish
people. The revival of anti-Semitism in Germany, the unexpected renewal
of persecutions and massacres in Russia and Roumania, the outlawing of
millions of human beings, whose situation grew less tenable from day to
day in those two countries--such were the occurrences that disconcerted
the most optimistic.
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