The Renascence of Hebrew Literature (1743-1885)Slouschz, Nahum
Religion
The Renascence of Hebrew Literature (1743-1885)
Slouschz, Nahum
Hebrew literature, Modern -- History and criticism
He began his literary career with an article entitled _Orhot ha-
Talmud_ ("The Paths of the Talmud"), and published in _Ha-Meliz_
in 1868. Here, as well as in the articles following it, he does not
depart from established tradition. In the very name of the spirit of the
Talmud, he demands religious reforms and the abolition of the
restrictions that make daily life burdensome. These excessive
requirements, he urges, were heaped up by the Rabbis subsequent to the
full development of the Law, and in opposition to its spirit. The young
scholar showed himself to be a zealous admirer of the Talmud, and with
clinching logic he proves that the Rabbis of later times, in asserting
its immutability, had distinctly deviated from the principles of the
Law, the fundamental idea of which was the harmonizing of "Law and
Life". The wrath aroused by such articles can easily be imagined.
Lilienblum was an _Apikoros_, the "heretic" _par excellence_
of the Lithuanian ghetto. The young writer had to undergo a series of
outrageous persecutions and acts of vengeance inflicted by the fanatics,
especially the Hasidim, of his town. He tells the story in detail in his
autobiography, _Hattot Neurim_ ("The Sins of Youth"), published at
Vienna, in 1876, one of the most noteworthy productions of modern Hebrew
literature. With the logical directness of a _Mitnagged_ [1], and
the cruel, sarcastic candor of a wasted existence, Lilienblum probes and
exposes the depths of his tortured conscience, at the same time
following up inexorably the steps which remove the free-thinker from the
faithful believer, without, however, reaching a real or positive result--
in the spirit at once of Rousseau and Voltaire. [Footnote 1: Literally,
"one who is opposed" [to the mystical system of Hasidism]; a
protestant, a Puritan.] As he himself says:
"It is a drama essentially Jewish, because it is a life without
dramatic effect, without extraordinary adventure. It is made up
of torment and suffering, all the more grievous as they are kept
hidden in the recesses of one's heart...."
Better than any one else he knows the cause of these ills. Like Gordon,
he holds that the Book has killed the Man, the dead letter has been
substituted for feeling.
"You ask me, O reader", he says with bitterness, "who I am, and
what my name is?--Well, then, I am a living being, not a Job who
has never existed. Nor am I one of the dead in the valley of
bones brought back to life by the prophet Ezekiel, which is only
a tale that is told. But I am one of the living dead of the
Babylonian Talmud, revived by the new Hebrew literature, itself a
dead literature, powerless to bring the dead to life with its
dew, scarcely able to transport us into a state between life and
death. I am a Talmudist, a believer aforetimes, now become an
unbeliever, no longer clinging to the dreams and the hopes which
my ancestors bequeathed to me. I am a wreck, a miserable wretch,
hopeless unto despair...."
Public-domain text, read in full here on John Shaqi.
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