Justice -- Early works to 1800; Political science -- Early works to 1800; Utopias -- Early works to 1800
([Greek: d]) Plato, labouring under what, to modern readers, appears to
have been a confusion of ideas, assimilates the state to the individual,
and fails to distinguish Ethics from Politics. He thinks that to be most
of a state which is most like one man, and in which the citizens have the
greatest uniformity of character. He does not see that the analogy is
partly fallacious, and that the will or character of a state or nation is
really the balance or rather the surplus of individual wills, which are
limited by the condition of having to act in common. {cxcix} The movement
of a body of men can never have the pliancy or facility of a single man;
the freedom of the individual, which is always limited, becomes still more
straitened when transferred to a nation. The powers of action and feeling
are necessarily weaker and more balanced when they are diffused through a
community; whence arises the often discussed question, 'Can a nation, like
an individual, have a conscience?' We hesitate to say that the characters
of nations are nothing more than the sum of the characters of the
individuals who compose them; because there may be tendencies in
individuals which react upon one another. A whole nation may be wiser than
any one man in it; or may be animated by some common opinion or feeling
which could not equally have affected the mind of a single person, or may
have been inspired by a leader of genius to perform acts more than human.
Plato does not appear to have analysed the complications which arise out
of the collective action of mankind. Neither is he capable of seeing that
analogies, though specious as arguments, may often have no foundation in
fact, or of distinguishing between what is intelligible or vividly present
to the mind, and what is true. In this respect he is far below Aristotle,
who is comparatively seldom imposed upon by false analogies. He cannot
disentangle the arts from the virtues--at least he is always arguing from
one to the other. His notion of music is transferred from harmony of
sounds to harmony of life: in this he is assisted by the ambiguities of
language as well as by the prevalence of Pythagorean notions. And having
once assimilated the state to the individual, he imagines that he will
find the succession of states paralleled in the lives of individuals.
Public-domain text, read in full here on John Shaqi.
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