Justice -- Early works to 1800; Political science -- Early works to 1800; Utopias -- Early works to 1800
Certainly, he said; that is the model which such a speaker *397A* must
necessarily take.
[Sidenote: Imitations which are to be prohibited.]
But there is another sort of character who will narrate anything, and, the
worse he is, the more unscrupulous he will be; nothing will be too bad for
him: and he will be ready to {82} imitate anything, not as a joke, but in
right good earnest, and before a large company. As I was just now saying,
he will attempt to represent the roll of thunder, the noise of wind and
hail, or the creaking of wheels, and pulleys, and the various sounds of
flutes, pipes, trumpets, and all sorts of instruments: he will bark like a
dog, bleat like *397B* a sheep, or crow like a cock; his entire art will
consist in imitation of voice and gesture, and there will be very little
narration.
That, he said, will be his mode of speaking.
These, then, are the two kinds of style?
Yes.
[Sidenote: Two kinds of style--the one simple, the other multiplex. There
is also a third which is a combination of the two.]
And you would agree with me in saying that one of them is simple and has
but slight changes; and if the harmony and rhythm are also chosen for
their simplicity, the result is that the speaker, if he speaks correctly,
is always pretty much the same in style, and he will keep within the
limits of a single harmony (for the changes are not great), and in *397C*
like manner he will make use of nearly the same rhythm?
That is quite true, he said.
Whereas the other requires all sorts of harmonies and all sorts of
rhythms, if the music and the style are to correspond, because the style
has all sorts of changes.
That is also perfectly true, he replied.
And do not the two styles, or the mixture of the two, comprehend all
poetry, and every form of expression in words? No one can say anything
except in one or other of them or in both together.
They include all, he said.
[Sidenote: The simple style alone is to be admitted in the State; the
attractions of the mixed style are acknowledged, but it appears to be
excluded.]
*397D* And shall we receive into our State all the three styles, or one
only of the two unmixed styles? or would you include the mixed?
I should prefer only to admit the pure imitator of virtue.
Yes, I said, Adeimantus, but the mixed style is also very charming: and
indeed the pantomimic, which is the opposite of the one chosen by you, is
the most popular style with children and their attendants, and with the
world in general.
I do not deny it.
But I suppose you would argue that such a style is unsuitable *397E* to
our State, in which human nature is not twofold or manifold, for one man
plays one part only? {83}
Yes; quite unsuitable.
And this is the reason why in our State, and in our State only, we shall
find a shoemaker to be a shoemaker and not a pilot also, and a husbandman
to be a husbandman and not a dicast also, and a soldier a soldier and not
a trader also, and the same throughout?
True, he said.
Public-domain text, read in full here on John Shaqi.
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