The Republic of Ragusa: An Episode of the Turkish ConquestVillari, Luigi
History
The Republic of Ragusa: An Episode of the Turkish Conquest
Villari, Luigi
Dubrovnik (Croatia) -- History
At the entrance of the Lesser Council,
of which I shall have to speak by-and-by, is a certain sculpture of
Justice holding a scroll, on which is read as follows: “Jussi summa mei
sua vos cuicumque tueri’.”[510]
But even this second palace was destined to suffer a similar fate.
On August 8, 1462, it was destroyed by fire and the explosion of
the powder magazine. Other buildings were also consumed or greatly
damaged, including the Palace of the Grand Council; of the Rector’s
Palace the ground floor alone remained. Steps were at once taken
to repair the damage, for which purpose the celebrated architects
Michelozzo Michelozzi of Florence and Giorgio Orsini of Sebenico were
commissioned. Of Michelozzo, who had been a sculptor and a pupil of
Donatello, Vasari says: “In one thing he surpassed many, and himself
also, namely, that, after Brunelleschi, he was acknowledged the most
able architect of his time, the one who most conveniently ordered
and disposed the accommodation of palaces, convents, and houses, and
the one who showed most judgment in introducing improvements.” He
was at Ragusa in 1463 engaged on the town walls, and in 1464 the
Senate ordered the palace to be rebuilt according to his designs (11th
February). He left Ragusa in June, and was succeeded by Giorgio Orsini
of Sebenico. The latter, a scion of a branch of the great Roman family
of that name, which had settled in Dalmatia before coming to Ragusa,
had helped to rebuild the cathedral of Sebenico. The style of his early
work had been Gothic, but even while at Sebenico he was half converted
to Renaissance ideas.[511] When he came to Ragusa he had adopted them
completely, and his work on the Palace shows no traces of Gothic. Thus
we have parts of the building in the Gothic style by Onofrio, and parts
in that of the Renaissance by Orsini and Michelozzo. The earthquake of
1667 did some damage to the upper story, but it was soon repaired, and
the general character of the structure remains practically unaltered.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account