In one of the bureau drawers that White in this capacity of literary executor was examining, there were two documents that carried back right to these early days. They were both products of this long wide undergraduate argumentation that had played so large a part in the making of Benham. One recorded the phase of maximum opposition, and one was the outcome of the concluding approach of the antagonists. They were debating club essays. One had been read to a club in Pembroke, a club called the ENQUIRERS, of which White also had been a member, and as he turned it over he found the circumstances of its reading coming back to his memory. He had been present, and Carnac's share in the discussion with his shrill voice and stumpy gestures would alone have sufficed to have made it a memorable occasion. The later one had been read to the daughter club of the ENQUIRERS, the SOCIAL ENQUIRERS, in the year after White had gone down, and it was new to him. Both these papers were folded flat and neatly docketed; they were rather yellow and a little dog-eared, and with the outer sheet pencilled over with puzzling or illegible scribblings, Benham's memoranda for his reply. White took the earlier essay in his hand. At the head of the first page was written in large letters, “Go slowly, speak to the man at the back.” It brought up memories of his own experiences, of rows of gaslit faces, and of a friendly helpful voice that said, “Speak up?” Of course this was what happened to every intelligent contemporary, this encounter with ideas, this restatement and ventilation of the old truths and the old heresies. Only in this way does a man make a view his own, only so does he incorporate it. These are our real turning points. The significant, the essential moments in the life of any one worth consideration are surely these moments when for the first time he faces towards certain broad ideas and certain broad facts. Life nowadays consists of adventures among generalizations. In class-rooms after the lecture, in studies in the small hours, among books or during solitary walks, the drama of the modern career begins. Suddenly a man sees his line, his intention. Yet though we are all of us writing long novels--White's world was the literary world, and that is how it looked to him--which profess to set out the lives of men, this part of the journey, this crucial passage among the Sphinxes, is still done--when it is done at all--slightly, evasively. Why? White fell back on his professionalism. “It does not make a book. It makes a novel into a treatise, it turns it into a dissertation.”