The Restless SexChambers, Robert W. (Robert William)
General
The Restless Sex
Chambers, Robert W. (Robert William)
American fiction -- 20th century
He bore the bow of black steel with gold tendrils—the Bow of Sinhahânu.
He was dressed as the Prince Siddhartha, in the garb of a warrior of
Oudh. Bow and sabre betrayed the period—the epoch of his trial against
all comers to win the Sâkya girl Yasôdhara.
As he passed, Cleland, leaning forward, scanned the splendid and
militant figure intently; and recognized Oswald Grismer under the
glimmering dress of the young Buddha militant.
To left and right of the youthful god advanced two girls, all in
relieved stiff gold from the soles of their up-turned sandals to the
fantastic pagoda peak of their head-dresses.
They wore golden Burmese masks; their bodies to the girdles were covered
with open-work golden filigree; from the fantastic pagoda-like
shoulder-pieces gold gauze swept away like the folded golden wings of
dragon-flies; golden bangles and bells tinkled on wrist and ankle.
With slim hands uplifted like the gilded idols they represented, the
open eye painted in the middle of each palm became visible. Around them
swirled a dazzling throng of Nautch girls.
Suddenly they flung up their arms: the stiff gold masks and
body-encasements cracked like gilded mummy cases and fell down clashing
around their naked feet, and from the cold, glittering chrysalids
stepped out two warm, living, enchantingly youthful figures, lithe and
supple, saluting the Prince Siddhartha with bare arms crossed above
their breasts.
To one, representing his mother, Maya, he turned, laying the emblems of
temporal power at her feet. And, in her, Cleland recognized Helen
Davis.
But his eyes were for the other—the Sâkya girl Yasôdhara in gold sari
and chuddah, her body clasped with a belt of emeralds and a girdle of
the same gems tied below her breasts.
The young Lord Buddha laid the living Rose of the World in her hands.
She bent her head and drew it through her breast-girdle. Then,
silk-soft, exquisite, the Sâkya maid lifted her satin-lidded eyes,
sweeping the massed audience above as though seeking some one. And
Cleland saw that her eyes were lilac-grey; and that the girl was
Stephanie.
Suddenly the massed orchestras burst into an anachronistic two-step.
The illusion was shattered; the ball was on! Assistants ran up and
gathered together the glittering débris and pushed chariot, papier maché
elephant and camel and palanquin through the two entrances; god seized
goddess, heroes nabbed nymphs; all Olympus and the outlying suburban
heavens began to foot it madly to the magic summons of George Cohan.
Under the blaze of lights the throng on the dancing floor swirled into
glittering whirlpools and ripples, brilliant as sunset on a restless
sea. The gaily costumed audience, too, was rising everywhere and
leaving seats and stalls and boxes to join the dancing multitudes below.
Before he descended, Cleland saw Grismer and Stephanie dancing together,
the girl looking up over her shoulder as though still searching the
tiers of seats above for somebody expected.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account