The Restless SexChambers, Robert W. (Robert William)
General
The Restless Sex
Chambers, Robert W. (Robert William)
American fiction -- 20th century
As far as that was concerned, he could not find any of his friends or
acquaintances who had ever been in Grismer’s lodgings. Nobody even
seemed to know exactly where they were, except that Grismer lived
somewhere in Bleecker Street and never entertained.
At times, when Stephanie was not to be found, and his unhappy inference
placed her in Grismer’s company, he felt an unworthy inclination to call
on Grismer and find out whether the girl was there. But the impulse was
a low one, and made him ashamed, and his envy and jealousy disgusted him
with himself.
Besides, his state of mind was painfully confused and uncertain in
regard to Stephanie. He was in love with her, evidently. But the utter
lack of sentimental response on her part afforded his love for her no
nourishment.
He traversed the entire scale of emotions. When he was not with her he
often came to the exasperated conclusion that he could learn to forget
her; when he was with her the idea seemed rather hopeless.
The unfortunate part of it seemed to be that, like his father’s, his was
a single-track heart. He’d never been in love, unless this was love.
Anyway, Stephanie occupied the single track, and there seemed to be no
switches, no sidings, nothing to clear that track.
He was exceedingly miserable at times.
However, his mind was equipped with a whole terminal full of tracks and
every one was busy in the service of his profession.
For a month, now, he had been installed in his studio-apartment on the
top floor. He picked up on Fourth and on Madison Avenues enough
preciously rickety furniture to make him comfortable and drive friends
to distraction when they ventured to trust themselves to chair or sofa.
But his writing table and corner-chair were solid and modern, and he had
half a dozen things under construction—a novel, some short stories, some
poems which he modestly mentioned as verses.
Except for the unexplored mazes in which first love had involved him he
was happy—exceedingly happy. But, to a creative mind, happiness born of
self-expression is a weird, uncanny, composite emotion, made up of
ecstatic hope and dolorous despair and well peppered with dread and
confidence, cowardice and courage, rage and tranquillity; and further
seasoned with every devilish doubt and celestial satisfaction that the
heart of a writer is heir to.
In the morning he was certain of himself. He was the captain of his
destiny; he was the dictator of his inspiration, equipped with the
technical mastery that his obedient thoughts dare not disobey.
Public-domain text, read in full here on John Shaqi.
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