The Restless SexChambers, Robert W. (Robert William)
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The Restless Sex
Chambers, Robert W. (Robert William)
American fiction -- 20th century
"Nothing, in years.... Because I won’t let ’em. But the spectacle of
the world suddenly crawling with women, all swarming restlessly over the
face of the globe, not knowing why or whither—it appalls me, Jim. And we
men continue flinging at them everything we can think of to stop them,
quiet them, and keep them still—personal liberty, franchise, political
opportunity, professional and industrial chances—and still they twist
and wriggle and squirm and swarm over everything restlessly, slowly
becoming denatured, unsexed, more sterile, more selfish, insolent,
intolerable every day. They are the universal nuisance of the age; they
are slowly smothering us as shifting dunes threaten the fertile plain——"
"For heaven’s sake——"
"There’s the unvarnished truth about woman," insisted Belter. "She’s
got the provocative câlinerie of a cat; the casual insouciance of a
sparrow; the nesting and hatching instinct of the hen; the mindless
jealousy of a Pekingese.
"The creative mind that marries one of ’em is doomed either to sterility
or to anguish. Their jealousy and malice stultify and slay the male
brain; there is no arguing with them because they have no real mind to
appeal to, no logic, no reason. Like the horrible praying Mantis they
suffer the embrace of the male and immediately begin to eat him,
commencing with the head——"
Cleland began to laugh. His mirth, unrestrained, did not disturb
Belter, who continued to eat his club sandwich and wash it down with
huge draughts of Pilsner.
"Do you think I’d marry one of ’em?" he demanded scornfully. "Do you
know what really happened to Clarence Verne?"
"No."
"Well, he married a dainty little thing and expected to continue earning
two thousand dollars for every magazine cover he designed. And do you
know what happened?"
"No, I don’t."
"I’ll tell you. The dainty little thing turned jealous, hired a shyster
who hired detectives to follow Verne about and report to her what he did
inside and outside his studio. She doped his food when she thought he
had a rendezvous; she had his letters stolen. In his own world, any
woman he found agreeable was cut out by his wife; if, in the jolly and
unconventional fellowship of Bohemia, he ever stopped on the street to
chat with a pretty girl or took one, harmlessly, to lunch or supper, or
offered any of ’em tea in his studio, her detectives reported it to her
and she raised hell.
"It killed spontaneity, any gaiety of heart, any incentive in Verne. It
embittered him, aged him, strangled him. Look at his work to-day!
Nothing remains except the mechanical technique. Look at the man. Dead
in his bathroom. Don’t talk to me about women."
"Why didn’t he divorce her if he knew of all this she was doing?"
Public-domain text, read in full here on John Shaqi.
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