Durant looked at his host with a sad reproachful gaze from which all
bitterness had departed. He had felt inclined to reply that he
proposed to commit suicide; as it was, he only said he thought of
trying to sketch something.
The Colonel seemed a little offended at the proposal; it certainly
implied that Durant had more confidence in his own resources than in
those of the house.
"So that's your fad, is it? I think we can do better for you than
that."
And as Durant had calculated he skipped back into the house, and
before he could return with his boots on, Durant, by another miracle
of chance or his own cunning, had contrived his escape.
He made his way up a slight slope, whence he could see far over the
landscape. What he had as yet seen was not inspiring, the heavy
full-blown charm of the Midlands in July, lonely, without any of the
poetry of loneliness. As he looked about him he realized again that
he was in the heart of the country, the great, slow, passionless
heart whose pulses are interminable hours. If you love Nature as
Durant loved her, for her sex with its divine caprices, its madness
and its mystery, you will be disappointed with Wickshire. In
Wickshire Mother Nature is no dubious Aphrodite; she is indissolubly
married to man, and behaves like an ordinary British matron, comely
and correct. Durant saw in the immediate foreground a paddock dotted
with young firs, each in a ring fence, beyond the paddock a field
of buttercups shining with a polished gleam, beyond the buttercups a
horizon of trees. Before him to the southeast, soaring above the
roofs of Whithorn-in-Arden, a church spire pointed the way to
heaven; beyond that, traveling low above the railway cutting, a thin
line of smoke indicated the way into the world. Behind him were more
trees; the green crescent of the woods with the white front of Coton
Manor shining in their arms like a heavy, foolish face. He had no
patience with the landscape, with this Nature trimmed and tamed,
these shaven meadows and clean-cut hedges and little rectangular
plantations. It was a typical English landscape, a landscape most
unnecessarily draped, where the bosom of the hills was always
covered, and the very elms were muffled to their feet. A landscape
destitute of passion and sensual charm, a landscape like Miss
Tancred.
Miss Tancred. He no longer felt any wild resentment against that
poor girl; he had learned to judge her leniently. If you live with
bores you inevitably become a bore; at the same time, he admitted
that she was doing her best not to bore him. Meanwhile he
transferred his hatred to her surroundings.
Public-domain text, read in full here on John Shaqi.
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