Durant, on his way to bed that night, saw something that told him
so much. Father and daughter stood with their backs to him at the
end of the long corridor. The Colonel was putting out the lights.
Frida had just nodded good night to him at her bedroom door, when
she turned impetuously and flung her arms round the little
gentleman. She pressed his head against her neck and held it there
an instant, a passion of remorse and tenderness in the belated
caress. The Colonel was, as it were, taken off his feet; he was
visibly embarrassed. Durant saw his eyes staring over her shoulder,
in their profound stupidity helpless and uncomprehending.
VIII
It was Sunday afternoon, and they had been taking tea with Mrs.
Fazakerly. This was the second time that Durant had had the
opportunity of studying Mrs. Fazakerly at home, of filling in the
little figure on its own appropriate background. The first thing
that struck him was that the background was not appropriate, or
rather that it was inadequate. Mrs. Fazakerly's drawing-room had an
air of uneasy elegance, of appearances painfully supported on the
thin edge of two hundred a year. It was furnished with a too
conspicuous care; the most insignificant details were arranged so as
to lead up to and set off her good things, which were few and far
between. There was no rest in it for the eye that was perpetually
seized and riveted on some bit of old silver, or Oriental drapery,
some Chippendale cabinet or chair. Such things were the commonplaces
of Coton Manor, and there they fell unobtrusively into their place.
Here they were touched up and handled, posed out of all simplicity;
they bore themselves accordingly with a shining consciousness of
their own rarity; they made an unblushing bid for praise. In Mrs.
Fazakerly's drawing-room the note of taste was forced.
The invitation had come as a sort of farewell attention to Durant.
Its valedictory character was further emphasized by Mrs. Fazakerly's
proposing to walk home with them, and finally falling into the rear
with Durant.
As a turn in the drive brought them within sight of Coton Manor,
Mrs. Fazakerly balanced her _pince-nez_ on the bridge of her nose.
It remained there, and he judged that Mrs. Fazakerly was in no mood
for mirth.
"That house," said Mrs. Fazakerly, "annoys me."
"Why?"
"Because it hasn't had justice done to it."
"I should have thought that was a ground for pity rather than
resentment."
Mrs. Fazakerly shrugged her shoulders ever so little. "That
drawing-room--did you ever see anything like it? And such
possibilities in it, too. I can't bear to think of all those
beautiful things wasted, just for want of a little taste, a little
arrangement--the right touch."
Public-domain text, read in full here on John Shaqi.
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