He stopped and looked before him. It was true that the sea had
brought them together. Amid the daemonic triumph and jubilation of
the power that claimed them for its own they, the man and the woman,
had been thrown on each other, they had looked into each other's
eyes, spirit to spirit, the divine thing struggling blind and
uncertain in nature's tangled mesh. But now, so near, on the verge
of the intangible, the divine, it came over Durant that after all it
was this their common nature, their flesh and blood, that was the
barrier; it merged them with the world on every side, but it hedged
them in and hid them from each other.
"As you know, we're the best friends in the world; there's only one
thing that sticks between us--the eternal difference in our points
of view."
"I was perfectly right. Why couldn't I trust my first impressions? I
thought you frigid and lucid and inhuman----"
"Inhuman?"
"Well, not a bit like a woman."
"My dear Maurice, you are very like a man."
"There's something about you----"
"Really? What is it, do you think?"
"Oh, nothing; a slight defect, that's all. It must be as you say,
and as I always thought, that you are incapable of feeling or
understanding feeling. I repeat, there's something about you----"
"Ah, Maurice, if you want the truth, there's something about _you_.
I always knew, I felt that it was in you, though I wouldn't own that
it was there. Now I am sure. You've been doing your best to make me
sure."
"What have I made you sure of?"
"Sure that you are incapable, not of loving perhaps, but of loving a
certain kind of woman the way she wants to be loved. You can't help
it. As I said before, it is the difference in the point of view. We
should get no nearer if we talked till doomsday."
"My point of view, as you call it, has entirely changed."
"No. It is I who have changed. Your point of view is, and always
will be, the same."
He tried hard to understand.
"Does it come to this--that if I had loved you then you would have
loved me now?"
"You couldn't have loved me then. You were not that sort."
He understood her meaning and it maddened him. "It wasn't my fault.
How the devil was I to see?"
"Exactly, how were you? There are some things which you can't see.
You can see everything you can paint, and, as you are a very clever
artist, I dare say you can paint most things you can see."
"What has that got to do with it?"
"Everything. It's your way all through. You love me because what you
see of me is changed. And yet all that time I was the same woman I
am now. I am the same woman I was then."
"But I am not the same man!"
"The very same. You have not changed at all."
Public-domain text, read in full here on John Shaqi.
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