3. And cast him into the bottomless pit, and shut him up, and set a seal upon him, that he should deceive the nations no more, till the thousand years should be fulfilled: and after that he must be loosed a little season. It is commonly supposed that the events here described are to occur at the second advent; but by considering carefully the different things enumerated in this chapter--the binding of the dragon; then a thousand years; after that the Armageddon battle; and last of all the judgment scene, in which all the dead, both small and great, are rewarded, and all the powers of wickedness cast into the lake of fire--it will be seen at once that this is not a continuation of the series of prophecy immediately preceding, but an entirely new theme, running partly parallel with that series, and both ending at the same point--the second coming of Christ and the general judgment, in which the lake of fire is the final doom of the combined powers of wickedness. In that series the beast and the false prophet--Romanism and Protestantism--were the chief powers of evil under consideration; in this series the dragon feature predominates. If this be not true, then there will be two judgment scenes and the wicked cast into the lake of fire twice. Positive proof of the position here taken will be given as we proceed. The power here referred to as "the Devil and Satan" is also denominated "the dragon." This use of the definite article shows clearly that a particular character is designated--_the_ dragon--and implies that the object has already been introduced. In his first appearance upon the symbolic panorama (chap. 12:3) he is simply styled _a_ dragon, but in every subsequent instance he is called _the_ dragon, which proves that the same character is meant. In addition to the former remarks on chapter 12:9 relative to the terms applied to this antichristian power, the following quotation from the People's Cyclopædia will throw some light on the subject: "In the mythical history and legendary poetry of almost every nation, the dragon appears as the emblem of the destructive and anarchistic principle.... Like the serpent, the dragon is always a minister of evil ... the object of which is to fight order, harmony, and progress. In Christian art, the dragon is the emblem of sin.... It is often represented as crushed under the feet of saints and martyrs.... Sometimes its prostrate attitude signifies the triumph of Christianity over Paganism." Art. Dragon. Considering this usage of these terms for ages, it is not strange that they were applied also to that great antichristian, persecuting system of Paganism, which stood before Christianity as its greatest barrier to "order, harmony, and progress."