The Revelation Explained: An Exposition, Text by Text, of the Apocalypse of St. JohnSmith, F. G. (Frederick George)
Religion
The Revelation Explained: An Exposition, Text by Text, of the Apocalypse of St. John
Smith, F. G. (Frederick George)
Bible. Revelation -- Criticism, interpretation, etc.
Upon the opening of this seal the scene changes entirely. No more
horsemen appear, but instead the souls of the martyrs are seen at the
altar crying for vindication of their blood upon the cruel oppressors of
earth. The question arises, Are these souls symbols of something else,
or are they what they are here stated to be, "the souls of them that
were slain"? Evidently, the latter, appearing under their own name and
character, because they can not properly be symbolized. They were
disembodied spirits, and where is there anything of analagous character
to represent such? Angels can not; for whenever they are employed as
symbols, it is to designate distinguished agencies among men. They
therefore appear under their own appropriate title as "the _souls_ of
them that were slain."
These souls appeared "under the altar," that is, _at the foot of the
altar_, being the same as that described in chap. 8:3--"And another
angel came and stood at the altar, having a golden censer, and there was
given unto him much incense, that he should offer it with the prayers of
all saints upon the golden altar which was before the throne." Thus, the
heavenly world, as opened up before John, appeared symbolized after the
sanctuary of the temple in which stood the golden altar, or altar of
incense. Some have supposed that the brazen altar was the one referred
to, signifying the living sacrifice these souls made of themselves to
God. But there is no altar mentioned in the symbols except the golden
altar. Besides, these were not sacrificial victims; for Christ was made
a complete sacrifice for sin, while these only suffered martyrdom
because of their faithfulness to the cause of Christ. It is much more
reasonable to suppose that their interceding cries went up from the
golden altar, where the "prayers of all saints" ascended with much
incense.
Public-domain text, read in full here on John Shaqi.
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