Utopias -- Fiction; Women -- Legal status, laws, etc. -- Fiction
The only drawback to the general joy was the thought that the bride was
over fifty years of age. Even making great allowances for the safety
which experience gives, it is not often that a young man who has
attracted the affections of a woman thirty years his senior, is found to
study how to preserve those affections; and even considering the
position offered by a woman safe of the next vacancy among the judges, a
difference of thirty years did seem to these village girls, who knew
little of the ways of the great world, a bar to true love. Their
opinion, however, was not asked, and the festivities were not outwardly
marred by them.
Early in the morning the village choir assembled on the lawn beneath the
bridegroom's chamber, and sang the well-known wedding-hymn beginning:--
Break, happy day! Rise, happy sun!
Breathe softer, airs of Paradise!
The days of hope and doubt are done;
To higher heights of love we rise.
Ah! trembling heart of trusting youth,
Fly to the home of peace and rest;
From woman's hands receive the truth,
In woman's arms be fully blessed.
O sweet exchange! O guerdon strange!
For love and guidance of a wife,
To yield the will, and follow still
In holy meekness all your life.
The bridegroom-elect within his room made no sign; the window-blind was
not disturbed. As a matter of fact, Algy was half-dressed, and was
sitting in a chair looking horribly ill at ease.
They began to ring the bells at six; by eight the whole village
population was out upon the Green, and the final preparations were made.
Of course there were Venetian masts, with gay-coloured flags flying. The
tables were spread in a great marquee for the feast which, at mid-day,
was to be given to the whole village. There were to be sports and
athletics for the young men on the Green; there was to be dancing in the
evening; there was a band already beginning to discourse sweet music;
there was a circus, which was to perform twice, and both times for
nothing; there were ginger-bread booths, and rifle-galleries, and
gipsies to tell fortunes; they had set up the perambulating theatre for
the drama of Punch and Judy, in which the reprobate Punch, who dares to
threaten his wife with violence, and disobeys her orders, is hanged upon
the stage--a moral lesson of the greatest value to boys; and there was a
conjuring-woman's tent. The church was gaily dressed with flowers, and
all the boys of the village were told off to strew roses, though the
season was late, under the feet of bride and bridegroom.
At the Hall an early breakfast was spread; but the young bridegroom, the
hero of the day, was late.
'Poor boy,' said his sister, 'no doubt he is anxious and excited with so
much happiness before him.'
Public-domain text, read in full here on John Shaqi.
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