Church Street, Cowfold—that is to say, the street in which the church stood—was tolerably broad going east and west, so that the sun shone full on the white window-frames and red brick of Mr. Muston’s house, in which everything seemed to sleep in eternal calm. On the opposite side was the seminary, also red brick and white paint, facing the north; but, to make amends, the garden had a southern aspect, and the back of the house was covered with a huge magnolia whose edges curled round to the western side, so that it could be seen by wayfarers. It was a sight not to be forgotten—the red brick, the white paint, the July sun; the magnolia leaves, the flanking elms on the east high above the chimneys, the glimpse of the acre of lawn through the great gates when they happened to be open, the peace, so profound, of summer noon! How lovely it looks as it hovers unsteadily before the eye, seen through the transfiguring haze of so many years! It was really, there is no doubt about it, handsomer than the stuccoed villa which stares at us over the way; but yet, if Cowfold Church Street, red brick, white paint, elms, lawn, and midsummer repose could be restored at the present moment, would it be exactly what the vision of it is? What is this magic gift which even for the humblest of us paints and frames these enchanting pictures? It is nothing less than the genius which is common to humanity. If we are not able to draw or model, we possess the power to select, group, and clothe with an ideal grace, which is the very soul of art, and every man and woman, every bush, nay, every cabbage, cup, and saucer, provided only it be not actually before us, becomes part of a divine picture. Would that we could do with the present what we do with the past! We _can_ do something if we try.